Beethoven on Beethoven: Playing His Piano Music His WayW. W. Norton & Company, 1988 - 336 páginas In this provocative new study, William Newman presents to the reader "whatever intentions on Beethoven's part can be documented or can be supported by reasoning and analysis in the primary sources for his music." His aim, in brief, is to get as close as possible to the performance practices Beethoven himself had in mind for his piano music, both solo and ensemble works. |
Índice
PREFACE | 11 |
ORIENTATIONS | 17 |
SOURCE MANUSCRIPTS AND EDITIONS | 31 |
HIS OPTIONS PREFERENCES | 45 |
RATE AND FLEXIBILITY | 83 |
THE DEMARCATION AND CHARACTERIZA | 121 |
THE INCISE AND PHRASE AS GUIDES TO RHYTHMIC | 163 |
REALIZING BEETHOVENS ORNAMENTATION | 189 |
FURTHER EXPRESSIVE FACTORS | 227 |
SOME BROAD STRUCTURAL CONSIDERATIONS | 256 |
KEYBOARD Techniques as Both Clues | 276 |
A FEW AFTERTHOUGHTS | 301 |
BEETHOVENS WORKS FOR PIANO | 323 |
Términos y frases comunes
accents actually Adagio Allegro Andante Anderson/BEETHOVEN appears appoggiaturas autograph beat Beet BEETHOVEN WERKEM cadence Cello changes Chapter character composer Concerto cresc Czerny damper damper pedal direction discussed dots dynamic earlier early edition effect especially evidence EXAMPLE expressive finale fingering four frequent further grouping half Hammerklavier hand harmonic idea illustrated incise indicated instance intentions interpretation keyboard kind later legato less letter markings means measures melodic mentioned metronome movement Mozart occurs original ornaments passages peak pedal performance phrase pianist piano playing practices preferred problems published question quoted realization reason regarded reveal rhythmic Schindler seems short signs sketch slow slurs sometimes Sonata Sonata Op sources staccato start starting strings structural studies suggest technical tempo term third tions tone treatises trills Trio turn Variations writing wrote
Referencias a este libro
Beethoven's Folksong Settings: Chronology, Sources, Style Barry A. R. Cooper No hay ninguna vista previa disponible - 1994 |
Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation Robert S. Hatten Vista previa restringida - 2004 |