2. Oh, pardon that in crowds awhile I waste one thought I owe to thee, Unfaithful to thy memory: That then I seem not to repine ; One sigh that should be wholly thine. 3. If not the Goblet pass unquaffed, It is not drained to banish care; The cup must hold a deadlier draught That brings a Lethe for despair. And could Oblivion set my soul From all her troubled visions free, I'd dash to earth the sweetest bowl That drowned a single thought of thee. 4. For wert thou vanished from my mind, Where could my vacant bosom turn? And who would then remain behind To honour thine abandoned Urn? No, no—it is my sorrow's pride That last dear duty to fulfil ; Though all the world forget beside, 'Tis meet that I remember still. 5. For well I know, that such had been Thy gentle care for him, who now Unmourned shall quit this mortal scene, Where none regarded him, but thou : A blessing never meant for me ; March 14, 1812. (First published, Childe Harold, 1812 (Second Edition).] ON A CORNELIAN HEART WHICH WAS BROKEN. I. ILL-FATED Heart ! and can it be, That thou shouldst thus be rent in twain ? Alike been all employed in vain ? 2. Yet precious seems each shattered part, And every fragment dearer grown, March 16, 1812. (First published, Childe Harold, 1812 (Second Edition).] 1. (For allusion to the “Cornelian," see “The Cornelian," “ Pignus Amoris "), and “The Adieu," stanza 7, Poétical Works, 1838, i. 66, 231, 240. See, too, Letters, 1898, i. 130, note 3.] THE CHAIN I GAVE. FROM THE TURKISH I. The chain I gave was fair to view, The lute I added sweet in sound; And ill deserved the fate it found. 2. Thy truth in absence to divine; Alas! they could not teach thee thine. 3. But not to bear a stranger's touch; In other hands its notes were such. 4. The chain which shivered in his grasp, Restring the chords, renew the clasp. 5. The chain is broke, the music mute, False heart, frail chain, and silent lute. [MS. M. First published, Corsair, 1814 (Second Edition). ] VOL. III. E LINES WRITTEN ON A BLANK LEAF OF THE PLEASURES OF MEMORY. 1. ABSENT or present, still to thee, My friend, what magic spells belong ! In turn thy converse,' and thy song. 2. But when the dreaded hour shall come By Friendship ever deemed too nigh, Shall weep that aught of thee can die, 3. Thy homage offered at her shrine, Her name immortally with thine ! April 19, 1812. [First published, Poems, 1816.) i. To Samuel Rogers, Esq.- [Poenis, 1816.) 1. ["Rogers is silent,-and, it is said, severe. When ne does talk, he talks well; and, on all subjects of taste, his delicacy of expres. sion is pure as his poetry. If you enter his house--his drawingroom-his library--you of yourself say, this is not the dwelling of a common mind. There is not a gem, a coin, a book thrown aside on his chimney-piece, his sofa, his table, that does not bespeak an almost fastidious elegance in the possessor."-Diary, 1813 ; Letters, 1898, ii. 331.) 2. (Compare Collins' Ode on the Death of Mr. Thomson “In yonder grave a Druid lics.") ADDRESS, SPOKEN AT THE OPENING OF DRURY-LANE THEATRE, SATURDAY, OCTOBER 10, 1812. In one dread night our city saw, and sighed, Ye who beheld, (oh! sight admired and mourned, Whose radiance mocked the ruin it adorned !) Through clouds of fire the massy fragments riven, Like Israel's pillar, chase the night from heaven; Saw the long column of revolving flames Shake its red shadow o'er the startled Thames, 2 While thousands, thronged around the burning dome, Shrank back appalled, and trembled for their home, As glared the volumed blaze, and ghastly shone i. As flashing far the new Volcano shone meteors And swept the skies with (lightnings} not their own. or, As flashed the volumed blaze, and {shestre sadly shone The skies with lightnings awful as their own. (Letter to Lord Holland, Sept. 25, 1812.] or, As glared each rising flash, and ghastly shone The skies with lightnings awful as their own. (Letter to Lord Holland, Sept. 27, 1812.) 1. ["Mr. Elliston then came forward and delivered the following Prize address. We cannot boast of the eloquence of the delivery. It was neither gracefully nor correctly recited. The merits of the production itself we submit to the criticism of our readers. We cannot suppose that it was selected as the most poetical composition of all the scores that were submitted to the committee. But perhaps by its tenor, by its allusions to Garrick, to Siddons, and to Sheridan, it was thought most applicable to the occasion, notwithstanding its being in part unmusical, and in general tame."--Morning Chronicle, October 12, 1812.) 2. ["By the by, the best view of the said fire (February 24, 1809) |