Shakespeare's SonnetsRoutledge, 13 sept 2013 - 200 páginas This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
Índice
| 1 | |
2 The Vogue of the Sonnet | 14 |
3 Tradition and the Individual Talent | 30 |
4 Commentary | 45 |
5 Style | 88 |
6 The Truest Poetry | 112 |
7 Links with Other Works | 123 |
8 Critical History | 139 |
Appendixes | 152 |
Notes | 164 |
Select Bibliography | 175 |
| 177 | |
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Términos y frases comunes
alliteration Amoretti appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson Drayton echoed edition Elizabethan Sonnet Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later Leslie Hotson linked Literary Genetics live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles Redpath refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine things third quatrain Time's true Venus and Adonis verse words writing wrote XCIV