Imágenes de página
PDF
ePub

Oft of one wide expanse had I been told,
That deep-brow'd Homer rul'd as his demesne :
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific-and all his men
Look'd at each other with a wild surmise-
Silent, upon a peak in Darien.

1816.

Sonnet.

When I have fears that I may cease to be

Before my pen has glean'd my teeming brain, Before high-piled books, in charact❜ry,

Hold like rich garners the full-ripen'd grain; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And think that I may never live to trace

Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,

That I shall never look upon thee more,
Never have relish in the faery power

Of unreflecting love ;-then on the shore
Of the wide world I stand alone, and think,
Till Love and Fame to nothingness do sink.
Jan. 1818 (?).

Saturn and Thea.

Deep in the shady sadness of a vale

Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head

Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day

Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deaden'd more
By reason of his fallen divinity

Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

It seem'd no force could wake him from his place: But there came one, who with a kindred hand Touch'd his wide shoulders, after bending low With reverence, though to one who knew it not. She was a Goddess of the infant world;

By her in stature the tall Amazon

Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.

Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace-court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun ;

As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain :
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenour and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!

Fancy.

Ever let the Fancy roam, Pleasure never is at home :

(From Hyperion, Book i.)

At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;

Then let winged Fancy wander

Through the thought still spread beyond her:

Open wide the mind's cage-door,

She'll dart forth, and cloudward soar.

O sweet Fancy! let her loose;
Summer's joys are spoilt by use,
And the enjoying of the Spring
Fades as does its blossoming;
Autumn's red-lipp'd fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then?
Sit thee by the ingle, when
The sear faggot blazes bright,
Spirit of a winter's night;
When the soundless earth is muffled,
And the caked snow is shuffled
From the ploughboy's heavy shoon;
When the Night doth meet the Noon
In a dark conspiracy

To banish Even from her sky.
Sit thee there, and send abroad,
With a mind self-overaw'd,

Fancy, high-commission'd:-send her!
She has vassals to attend her :
She will bring, in spite of frost,
Beauties that the earth hath lost;
She will bring thee, all together,
All delights of summer weather;
All the buds and bells of May,
From dewy sward or thorny spray;
All the heaped Autumn's wealth,
With a still, mysterious stealth:
She will mix these pleasures up
Like three fit wines in a cup,

And thou shalt quaff it :-thou shalt hear
Distant harvest-carols clear;

Rustle of the reaped corn;

Sweet birds antheming the morn:

And, in the same moment-hark!

'Tis the early April lark,
Or the rooks, with busy caw,
Foraging for sticks and straw.
Thou shalt, at one glance, behold
The daisy and the marigold;
White-plum'd lilies, and the first
Hedge-grown primrose that hath burst;

1818.

Shaded hyacinth, alway
Sapphire queen of the mid-May;
And every leaf, and every flower,
Pearled with the self-same shower.
Thou shalt see the field-mouse peep
Meagre from its celled sleep;
And the snake all winter-thin
Cast on sunny bank its skin;
Freckled nest-eggs thou shalt see
Hatching in the hawthorn-tree,
When the hen-bird's wing doth rest
Quiet on her mossy nest;
Then the hurry and alarm
When the bee-hive casts its swarm;
Acorns ripe down-pattering,
While the autumn breezes sing.

Oh, sweet Fancy! let her loose;
Everything is spoilt by use :
Where's the cheek that doth not fade,
Too much gaz'd at? Where's the maid
Whose lip mature is ever new?
Where's the eye, however blue,
Doth not weary? Where's the face
One would meet in every place?
Where's the voice, however soft,
One would hear so very oft?

At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth.
Let, then, winged Fancy find
Thee a mistress to thy mind:
Dulcet-ey'd as Ceres' daughter,
Ere the God of Torment taught her
How to frown and how to chide;
With a waist and with a side
White as Hebe's, when her zone
Slipt its golden clasp, and down
Fell her kirtle to her feet,

While she held the goblet sweet,

And Jove grew languid.-Break the mesh
Of the Fancy's silken leash;
Quickly break her prison-string,

And such joys as these she'll bring.-
Let the winged Fancy roam,
Pleasure never is at home.

Madeline in her Chamber. Out went the taper as she hurried in ; Its little smoke, in pallid moonshine, died: She clos'd the door, she panted, all akin To spirits of the air, and visions wide: No uttered syllable, or, woe betide! But to her heart, her heart was voluble, Paining with eloquence her balmy side;

As though a tongueless nightingale should swell Her throat in vain, and die, heart-stifled, in her dell.

A casement high and triple-arch'd there was,
All garlanded with carven imag'ries

Of fruits, and flowers, and bunches of knot-grass,
And diamonded with panes of quaint device,
Innumerable of stains and splendid dyes,
As are the tiger-moth's deep-damask'd wings;
And in the midst, 'mong thousand heraldries,
And twilight saints, and dim emblazonings,

A shielded scutcheon blush'd with blood of queens and

kings.

Full on this casement shone the wintry moon,
And threw warm gules on Madeline's fair breast,
As down she knelt for heaven's grace and boon;
Rose-bloom fell on her hands, together prest,
And on her silver cross soft amethyst,
And on her hair a glory, like a saint:

She seem'd a splendid angel, newly drest,
Save wings, for heaven :-Porphyro grew faint :
She knelt, so pure a thing, so free from mortal taint.
Anon his heart revives: her vespers done,
Of all its wreathed pearls her hair she frees;
Unclasps her warmed jewels one by one;
Loosens her fragrant bodice; by degrees
Her rich attire creeps rustling to her knees;
Half hidden, like a mermaid in sea-weed,
Pensive awhile she dreams awake, and sees,
In fancy, fair St Agnes in her bed,

But dares not look behind, or all the charm is fled.
Soon, trembling in her soft and chilly nest,
In sort of wakeful swoon, perplex'd she lay,
Until the poppied warmth of sleep oppress'd
Her soothed limbs, and soul fatigued away;
Flown, like a thought, until the morrow-day;
Blissfully haven'd both from joy and pain ;
Clasp'd like a missal where swart Paynims pray;
Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.
(From The Eve of St Agnes.)

Ode to a Nightingale.

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk :
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees,
In some melodious plot

Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O for a draught of vintage, that hath been
Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,

Dance, and Provençal song, and sun-burnt mirth!

O for a beaker full of the warm South,

Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;

That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret

Here, where men sit and hear each other groan ;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-ey'd despairs;

Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,

Not charioted by Bacchus and his pards,

But on the viewless wings of Poesy,

Though the dull brain perplexes and retards:

Already with thee! tender is the night,

And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays;

But here there is no light,

Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,

Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;

And mid-May's eldest child,

The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and for many a time

I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath;

Now more than ever seems it rich to die,

To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!

Still wouldst thou sing, and I have ears in vain-
To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down:
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath

Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell

To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hillside; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music :-Do I wake or sleep?
May 1819.

Ode to Autumn.

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless

With fruit the vines that round the thatch-eaves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;

To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease,

For Summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,

Thy hair soft-lifted by the winnowing wind;

Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers;
And sometime like a gleaner thou dost keep
Steady thy laden head across a brook;

Or by a cyder-press, with patient look,

Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,
While barred clouds bloom the soft-dying day,

And touch the stubble-plains with rosy hue;
Then in a wailful choir, the small gnats mourn
Among the river sallows, borne aloft

Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn ;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.
Sept. 1819.

La Belle Dame sans Merci.
O what can ail thee, knight-at-arms,
Alone and palely loitering?

The sedge has wither'd from the lake,
And no birds sing.

O what can ail thee, knight-at-arms!
So haggard and so woe-begone?
The squirrel's granary is full,

And the harvest 's done.

I see a lily on thy brow

With anguish moist and fever dew,
And on thy cheeks a fading rose
Fast withereth too.

I met a lady in the meads,

Full beautiful-a faery's child;

Her hair was long, her foot was light,
And her eyes were wild.

I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.

I set her on my pacing steed,
And nothing else saw all day long;
For sidelong would she bend, and sing
A faery's song.

She found me roots of relish sweet,
And honey wild, and manna dew,
And sure in language strange she said—
'I love thee true!'

She took me to her elfin grot,

And there she wept and sigh'd full sore, And there I shut her wild wild eyes With kisses four.

And there she lulled me asleep,

And there I dream'd-ah! woe betide! The latest dream I ever dream'd On the cold hill's side.

I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried, La Belle Dame sans Merci
Hath thee in thrall!'

I saw their starv'd lips in the gloam, With horrid warning gaped wide, And I awoke and found me here, On the cold hill's side.

And this is why I sojourn here,

Alone and palely loitering,

Though the sedge is wither'd from the lake, And no birds sing.

April (?) 1819.

Sonnet-On a Dream.

As Hermes once took to his feathers light,
When lulled Argus, baffled, swoon'd and slept,
So on a Delphic reed my idle spright

So play'd, so charm'd, so conquer'd, so bereft
The dragon-world of all its hundred eyes:
And seeing it asleep, so fled away,
Not to pure Ida with its snow-cold skies,

Nor unto Tempe, where Jove griev'd a day; But to that second circle of sad Hell,

Where in the gust, the whirlwind, and the flaw Of rain and hail-stones, lovers need not tell Their sorrows,-pale were the sweet lips I saw, Pale were the lips I kiss'd, and fair the form I floated with, about that melancholy storm. April 1819.

Keats's Last Sonnet.

Bright star! would I were steadfast as thou artNot in lone splendour hung aloft the night,

And watching, with eternal lids apart,

Like Nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask

Of snow upon the mountains and the moorsNo-yet still steadfast, still unchangeable,

Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever-or else swoon to death. Sept. 1820.

Letter.

Feb. 19, 1818.

MY DEAR REYNOLDS,-I had an idea that a man might pass a very pleasant life in this manner - let him on a certain day read a certain page of full Poesy or distilled Prose, and let him wander with it, and muse upon it, and reflect upon it, and bring home to it, and prophesy upon it, and dream upon it, until it becomes stale. But when will it do so? Never. When Man has arrived at a certain ripeness in intellect any one grand and spiritual passage serves him as a starting-post towards all the two-and-thirty Palaces.' How happy is such a voyage of conception, what delicious diligent indolence! A doze upon a sofa does not hinder it, and a nap upon clover engenders ethereal finger-pointings. The prattle of a child gives it wings, and the converse of middle-age a strength to beat them. A strain of music conducts to 'an odd angle of the Isle,' and when the leaves whisper it puts a girdle round the earth. Nor will this sparing touch of noble books be any irreverence to their writers; for perhaps the honours paid by man to man are trifles in comparison to the benefit done by great works to the Spirit and pulse' of good by their mere passive existence. Memory should not be called

Knowledge. Many have original minds who do not think it-they are led away by Custom. Now it appears to me that almost any man may, like the spider, spin from his own inwards his own airy citadel. The points of leaves and twigs on which the spider begins her work are few, and she fills the air with a beautiful circuiting. Man should be content with as few points to tip with the fine web of his Soul, and weave a tapestry empyrean full of symbols for his spiritual eye, of softness for his spiritual touch, of space for his wandering, of distinctness for his luxury. But the minds of mortals are so different and bent on such diverse journeys that it may at first appear impossible for any common taste and fellowship to exist between two or three under these suppositions. It is, however, quite the contrary. Minds would leave each other in contrary directions, traverse each other in numberless points, and at last greet each other at the journey's end. An old man and a child would talk together, and the old man be led on his path and the child left thinking. Man should not dispute or assert, but whisper results to his neighbour; and thus, by every germ of spirit sucking the sap from mould ethereal, every human [being] might become great, and Humanity, instead of being a wide heath of furze and briars with here and there a remote oak or pine, would become a grand democracy of forest trees. It has been an old comparison for our urging on,-the beehive; however, it seems to me that we should rather be the flower than the bee. For it is a false notion that more is gained by receiving than giving; no, the receiver and the giver are equal in their benefits. The flower, I doubt not, receives a fair guerdon from the bee; its leaves blush deeper in the next spring: and who shall say between man and woman which is the most delighted! Now it is more noble to sit like Jove than to fly like Mercury. Let us not therefore go hurrying about and collecting honey, bee-like buzzing here and there impatiently from a knowledge of what is to be aimed at; but let us open our leaves like a flower and be passive and receptive, budding patiently under the eye of Apollo and taking hints from every noble insect that favours us with a visit. Sap will be given us for meat, and dew for drink.

I was led into these thoughts, my dear Reynolds, by the beauty of the morning operating on a sense of idleness. I have not read any books-the morning said I was right. I had no idea but of the morning, and the thrush said I was right-seeming to say:

'O thou whose face hath felt the Winter's wind,
Whose eye has seen the snow-clouds hung in mist,
And the black elm-tops 'mong the freezing stars,
To thee the Spring will be a harvest-time.
O thou whose only book has been the light
Of supreme darkness which thou feddest on
Night after night when Phoebus was away,
To thee the Spring shall be a triple morn.
O fret not after knowledge-I have none.
And yet my song comes native with the warmth.
O fret not after knowledge-I have none,
And yet the Evening listens. He who saddens
At thought of idleness cannot be idle,

And he's awake who thinks himself asleep.'

Now I am sensible all this is a mere sophistication (however it may neighbour to any truths) to excuse my own indolence; so I will not deceive myself that Man should be equal with Jove, but think himself very well

1

off as a sort of scullion-Mercury, or even a humble bee. It is no matter whether I am right or wrong, either one way or another, if there is sufficient to lift a little time from your shoulders. -Your affectionate friend,

Feb. 19, 1818.

JOHN KEATS.

See Keats's Poems and Letters, edited by Forman, in five small volumes (Gowans & Gray, 1900). The Aldine edition of the Poems (1876) gives them in nearly chronological order, but the text is bad. The Letters (without those to Miss Brawne, and a few others) have been well edited by Colvin (1891). Lord Houghton's biography, first published in 1848, can never be superseded; but Colvin's Keats in the 'Men of Letters' series (1887) is based on fuller material, and contains excellent criticism. See also, among many criticisms, F. M. Owens's Study (1880; the first serious attempt to examine Keats's ideas); W. T. Arnold's Introduction to his edition of the Poems (1883; on literary influences and on Keats's vocabulary); M. Arnold in Essays in Criticism, second series; Swinburne in Miscellanies; and especially R. Bridges in his Introduction to the Poems in the 'Muses' Library.' A. C. BRADLEY.

Percy Bysshe Shelley,*

born 4th August 1792, son of Timothy the son of Sir Bysshe Shelley, first baronet of an ancient and noble house till then undistinguished from its equals by any hereditary title, entered Eton twelve years later, after some private schooling, and passed on to Oxford in 1810. Next year he was expelled from the university which had recently cast out Landor, whose noble poem of Gebir had already excited his just and ardent admiration. The rather irrational reason, in the younger poet's case, was the appearance of an anonymous pamphlet or flysheet called The Necessity of Atheism. It is not a work of any particular promise, but it is the first of Shelley's writings which would not disgrace a lower boy at Eton. His previous verse and prose, ballad or elegy or fiction, were servile and futile imitations of the illustrious Monk Lewis and the less illustrious Laura Matilda. And the boy had succeeded in sinking to a deeper and a duller depth of absurdity than had ever been fathomed by his models. In 1811 the youth of nineteen was induced to marry Harriet Westbrook, a schoolgirl of sixteen who had made use of her acquaintance with his sister to throw herself upon his protection. This unlucky alliance was the source of all the serious trouble which could possibly have affected the life of a man not miserable enough by nature to be made miserable by reviling or neglect. A short first visit to Ireland, hardly memorable by the issue of a characteristic Address to the Irish People, had no recorded effect or result beyond the comical effect of alarming the Government into notice of his not very dangerous or politically important existence. In June 1813 his daughter lanthe (a name which had already been borrowed by Byron from Landor) was born, and addressed three months later in a sonnet expressive of due and dutiful baby-worship. In the same year he read Ariosto with the rapture of a boy-a fact to be remembered because the spirit of comedy, whether incarnate in Fletcher or in Sheridan, was repulsive rather than attractive to him. There are certainly no signs of this influence in the poem,

now privately printed, of Queen Mab-a work of impassioned rhetoric and passionate reasoning rather than poetic expression or imaginative thought. A Refutation of Deism, printed early in the following year, shows more intellectual power as well as more literary capacity than anything Shelley had yet written the design of reducing the concept of theism to an obvious and palpable absurdity, by demonstration of the assumed theorem that it must naturally and inevitably result in acceptance of Christianity, is carried out with more dialectic skill and more ironic ability than might have been thought possible for so young and so ardent a novice in controversy. On 24th March he remarried Harriet in London, probably in order to obviate any question which might be raised as to the validity of the former ceremony, performed in Edinburgh according to Scottish law while he was still a minor. In April his wife left him, as a friend of his expressed it, 'again a widower;' in May he sent after her a rather pathetic, if rather too submissive, appeal for the restoration of a regard which can hardly have ever been genuine or serious. Soon afterwards he met the daughter of William Godwin, a novelist of unique rather than peculiar genius, but then more famous as a teacher and preacher of political and religious philosophies long since forgotten and never much more than derivative from France-the France of Diderot and Rousseau. Mary Wollstonecraft Godwin and her future husband fell in love, by all accounts, at once -if not at first sight. On 28th July they eloped to France, accompanied by Jane Clairmont, daughter of Mary's stepmother by a former husband. On 13th August Shelley wrote a singularly affectionate and simple-hearted letter to the wife who had deserted him, inviting her to join them in Switzerland. On 13th September they were again in England. On 30th November Harriet Shelley gave birth, prematurely, to a boy; and some friendly and kindly intercourse ensued between the alienated husband and wife. As soon as his own money matters became settled by arrangement with his father, he sent Harriet £200 to discharge her debts, and settled the same sum upon her annually in quarterly payments. In February 1815 a baby girl was borne by Mary to Shelley, and died on 6th March. On 24th January 1816 the little child so loved and lamented in such lovely snatches of song by the father who had lost him was born, and called William, after the father of his mother. In March the first poem of a great poet made its appearance in print. It was then that Shelley published Alastor, or the Spirit of Solitude, and other Poems. Before this he had shown himself to be a thoughtful, generous, fearless and fervent master of rhetoric in verse and prose; and assuredly nothing more. He now stood forth as a poet comparable only with Coleridge and with Wordsworth, and not unworthy of such comparison.

In May 1816 Shelley and Mary left England for Geneva-unhappily for all parties, again accom* Copyright 1903 by J. B. Lippincott Company to the selection "From the 'Hymp to Intellectual Beauty,'" page 112.

« AnteriorContinuar »