Her voice and his rebeck Re-echoed they swell From the rock on the hill; Our limits do not permit us to make a farther selection of the smaller pieces. Besides them, the volume contains the tragedy, of which we have already spoken; some miscellaneous poems in a more sustained and elevated character; and Prometheus, a discursive and philosophical poem, in a hundred and sixty two stanzas of the Spenserian measure. This seems to us-though highly unequal-the most vigorous and powerful poetry which the volume contains. Not a few of these verses have all the dark sententiousness of Byron, clothed in an uncommonly easy versification. The following will, we think, justify the remark: CXLVI. The past is gone-it can return no more, The burning thoughts alone on learning set In tender childhood, pointed to the goal, Where bards and sages aimed, in youth blind leaders stole, CXLVII. And vile companions rifled, and they left Where my best powers stood weeping o'er the deep, CLXVIII. There is no hope-ten years the winds have blown, That bore me to my ruin, and the waves Roll in my wake like mountains-joy has flown, And left behind the lonely turfless graves And high on the stern The star-spangled wave, Of water and grove His gold-hilted sword On his shoulder is flung, The maid from her lattice Where he shines like a star, Her lover so tenderly Touch his guitar. She opens her lattice, And sits in the glow Of the moonlight and star-light, A statue of snow; And she sings in a voice, That is broken with sighs, His love-speaking pantomime How wild in that sunny clime Hearts and eyes roll. She waves with her white hand Her white fazzolet, And her burning thoughts flash The moonlight is hid Her voice and his rebeck From the rock on the hill; Our limits do not permit us to make a farther selection of the smaller pieces. Besides them, the volume contains the tragedy, of which we have already spoken; some miscellaneous poems in a more sustained and elevated character; and Prometheus, a discursive and philosophical poem, in a hundred and sixty two stanzas of the Spenserian measure. This seems to us-though highly unequal-the most vigorous and powerful poetry which the volume contains. Not a few of these verses have all the dark sententiousness of Byron, clothed in an uncommonly easy versification. The following will, we think, justify the remark: CXLVI. The past is gone-it can return no more, 1 fondly look and linger. In the net Of pleasure, all the breathings of my soul, The burning thoughts alone on learning set In tender childhood, pointed to the goal, Where bards and sages aimed, in youth blind leaders stole, CXLVII. And vile companions rifled, and they left My heart dispirited and sunk and poor, Of all its highest hopes and wants bereft, A pinnace on the waves with naught to moor Or bind it to the safe bank; from the shore, Where my best powers stood weeping o'er the deep, My dark, distracted being, where fiends keep Their orgies, and the worm, that gnaws, will never sleep. CLXVIII. There is no hope-ten years the winds have blown, That bore me to my ruin, and the waves Roll in my wake like mountains-joy has flown, And left behind the lonely turfless graves Of early fond attachments. Like the slaves Tears, bitter tears, that well from the heart's bleeding core. CXLIX. The soul, that had its home with me, was bright, And o'er a waking world their radiance fling- CL. Where Truth has reared her awful throne, and pure The Majesty that bows, and to allure, The winning charms of Virtue by his side- CLI. Of endless woe and ruin CLVI. To feel a heart within thee, tender, flowing Of mind in some low slough, and bid farewell to fame :' &c. The Prometheus, like most of the other pieces, breathes a melancholy spirit too deep not to be real. We should sincerely regret that powers, so fine as Mr Percival evidently posses ses, should want that self-consciousness, which they ought to inspire, or should feel a doubt of that public favour, they so truly deserve and though he probably does not rely on any thing he has yet written, as giving him a fair title to the rank of a classical American poet, yet we feel no hesitation in saying, that he shares with few the gifts, which might make him one. ART. II.-Views of Society and Manners in America; in a series of letters from that country to a friend in England, during the years 1818, 1819 and 1820. By an Englishwoman. From the first London edition, with additions and corrections by the author. 8vo, pp. 387. New York, 1821. THIS work has been so extensively read in America, that a review of it, at the present time, may seem unnecessary. As it forms, however, in many respects a contrast with other works of the same class, and is distinguished for its flattering tone toward our country, it might seem a failure in respect to so courteous a foreigner, to allow her work to pass unnoticed. We cannot, at the same time, but feel ourselves under much embarrassment in speaking of it. Like all human productions, it has, of course, its imperfections; but as American critics, it would seem a piece of rudeness to be at pains to gather up these, from the pages in which our character, manners, and institutions are so advantageously portrayed. On the other hand, our country, not to say our own poor labours, is so handsomely eulogized by this polite stranger, that we should be thought perhaps to speak under prepossession, if we were very forward in maintaining the merits of her book. We know not, in fact, a less enviable task than that of the traveller, who undertakes to publish an account of a short visit to a foreign country, and feels at all concerned for the reception his book may meet with in that country. It is impossible in a short visit, or even in a long visit, to become so thoroughly acquainted with a country, considerably different in character from your own, as not to be constantly exposed to mistakes in detailed statements of its peculiarities. Then the traveller, who is well received, falls into some circle, which has its local or political party; he becomes imbued with their feelings, and |