Taste and Fashion - From the French Revolution to the Present DayRead Books Ltd, 8 ene 2013 - 288 páginas This classic book contains a wealth of information on the taste and fashion trends of England from the French Revolution to the 1940s, and will prove a very interesting read for anyone with an interest in the subject. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
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... shows considerably greater variation, but the main features are very much the same throughout the period. Even when it is not supported by panniers the skirt is full, and it is nearly always opened down the front to show an elaborately ...
... shows considerably greater variation, but the main features are very much the same throughout the period. Even when it is not supported by panniers the skirt is full, and it is nearly always opened down the front to show an elaborately ...
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... shows much less tendency to stereotype itself into a uniform—a tendency which is the most striking characteristic of male dress throughout the ages. Also, women are willing to put up with much more inconvenience in order to be in the ...
... shows much less tendency to stereotype itself into a uniform—a tendency which is the most striking characteristic of male dress throughout the ages. Also, women are willing to put up with much more inconvenience in order to be in the ...
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... shows a curious ingenuity, which was to be used again in our own time; for when the designers of the late nineteentwenties wished to lengthen women's skirts they were compelled at first to cover them with a long net overskirt, leaving ...
... shows a curious ingenuity, which was to be used again in our own time; for when the designers of the late nineteentwenties wished to lengthen women's skirts they were compelled at first to cover them with a long net overskirt, leaving ...
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... shows very little distinction between London and Paris: the main lines are the same everywhere. Enormously wide sleeves have vanished. They started by slipping down to the forearm in a kind of inverted legofmutton shape. They then ...
... shows very little distinction between London and Paris: the main lines are the same everywhere. Enormously wide sleeves have vanished. They started by slipping down to the forearm in a kind of inverted legofmutton shape. They then ...
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Índice
BOARDING THE YACHT 1873 | |
WOMAN OF FASHION | |
HAIR AND HATS | |
1895 1908 1920 1928 | |
CORSETS | |
1900 1904 1911 1928 1935 | |
LINGERIE | |
1888 1890 1935 | |
THE THEORY OF DÉCOLLETAGE | |
COLOURS AND MATERIALS | |
THE TWO BUSTLES AND THE ÆSTHETIC MOVEMENT VI THE NEW WOMAN | |
HIGH LIFE OR GARDEN PARTY AND CASINO | |
THE HOLBORN SKATING RINK 1876 | |
PAUL POIRET AND THE RUSSIAN BALLET | |
DECORATIVE UNITY OF AN EPOCH | |
WAR AND POSTWAR | |
TOILETTES DE VISITE PARIS 1911 | |
FURS | |
BATHING COSTUMES AND OTHER SPORTS CLOTHES | |
FASHIONS FOR | |
SOME CONCLUSIONS | |
FASHION AND THE SECOND WORLD | |
INDEX | |
COLOUR AND CARICATURE | |
Otras ediciones - Ver todo
Taste and Fashion: From the French Revolution to the Present Day James Laver Vista de fragmentos - 1945 |
Taste and Fashion: From the French Revolution to the Present Day James Laver Vista de fragmentos - 1945 |
Términos y frases comunes
adopted Æsthetic appearance Ballet bathing costumes became began blouse blue bodice boléro bonnet brassière brim busk bust chapter cloche cloche hat clothes coat coiffure collar colours contemporary corset crêpe crinoline curious day dresses décolletage dinner dinner jacket Directoire early effect eighteenth century elaborate English extremely fashion journals fashion plates favour favourite female feminine French French Revolution front garments gowns hair hairdressing hats head hips hobble skirt influence interior decoration invented Irish crochet jacket kind lace ladies lounge suit man’s material men’s middle mode modern narrow never nineteenth century nineteenthirties nineteentwenties nineties oldfashioned Paris Paul Poiret perhaps period petticoats Poiret popular Revolution round satin Schéhérazade Second Empire seems seen short skirts shows silk skating sleeves socalled social sometimes sport taffetas taste tendency tennis tight tightlacing today toilette trimmed trousers underneath velvet vogue waist waistcoat wear whole woman women women’s dress wore worn