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" He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress (Before Decay's effacing fingers Have swept the lines where beauty lingers... "
Orthophony: Or, Vocal Culture in Elocution: A Manual of Elementary Exercises ... - Página 253
de James Edward Murdoch, William Russell - 1845 - 336 páginas
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The Gentleman's Magazine, and Historical Chronicle, for ..., Volumen 91,Parte 1

1821 - 712 páginas
...by the waiul of an enchanter, rather than reared by human hands. Myst. of Udol. v. Í. p. 34. Byron. He who hath bent him o'er the dead, Ere the first day of death is fled, ite. See the rest of this beautiful passage, »s far as Such is the aspect of this shore, Tis Greece,...
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The British review and London critical journal

1813 - 574 páginas
...this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first day of'-death is fled ; The first dark day of nothingness, The last,...marked the mild angelic air — The rapture of repose that's there — The fixed yet tender traits that streak The languor of the placid cheek, And — but...
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The Edinburgh Review: Or Critical Journal, Volumen 21

1812 - 576 páginas
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. ' He who hath bent him o'er the dead, Ere the first...danger and distress ; ( Before Decay's effacing fingers I lave swept the lines where beauty lingers,) And mark'd the mild angelic air—- The rapture of repose...
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The British Review, and London Critical Journal, Volumen 5

1813 - 580 páginas
...beauty, but which is an instance of the extended simile in which this poet so delights to indulge. " He who hath bent him o'er the dead, Ere the first...marked the mild angelic air — The rapture of repose that's there — The fixed yet tender traits that streak The languor of the placid cheek, And — but...
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The Quarterly Review, Volúmenes 9-10

1813 - 1102 páginas
...on an eastern audience, and of the grotesque declamation and gestures of the Turkish story-teller. ' He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where beauty lingers,) And mark'd the mild angelic air— The rapture of repose that's there— The fixed yet tender traits that...
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The Port Folio

1813 - 716 páginas
...consul at Athens. — FORT FOLIO. Receives him by the lovely light That bent becomes an eastern night. He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where Beauty lingers) And mark'd the mild angelic air — The rapture of repose that's there — The fii'd yet tender traits...
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Analectic Magazine, and Naval Chronicle, Volumen 2

1813 - 550 páginas
...and more exquisitely finished, than any that we can now recollect in the whole compass of poetry. " He who hath bent him o'er the dead, Ere, the first...fingers Have swept the lines where beauty lingers;) And mark'd the mild angelic air — The rapture of repose that's there — The fixed yet tender traits...
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The Eclectic review. vol. 1-New [8th], Volumen 10

1813 - 662 páginas
...shore, Rush the night-prowlers on the prey, And turn to groans his roundelay.! i>. 3. V<», X. Tt ' He who hath bent him o'er the dead, Ere the first...fingers Have swept the lines where beauty lingers, ) And mark'd the mild.angelic air — The rapture of repose .that's there — The fixed yet tender traits...
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The Quarterly Review, Volumen 10

1813 - 560 páginas
...delight; and we cannot refrain from quoting the following highly wrought and characteristic specimen. ' He who hath bent him o'er the dead, Ere the first...of danger and distress ; (Before Decay's effacing fmgers Have swept the lines where beauty lingers,) And mark'd the mild angelic air — The rapture...
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The giaour, a fragment of a Turkish tale

George Gordon N. Byron (6th baron.) - 1813 - 90 páginas
...inheritors of hell — 65 So soft the scene, so form'd for joy, So curst the tyrants, that destroy ! He who hath bent him o'er the dead, Ere the first...death is fled ; The first dark day of nothingness, 10 The last of danger and distress ; (Before Decay's effacing fingers Have swept the lines where beauty...
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