Text and PresentationUniversity Press of America, 1990 - 112 páginas This volume presents the best of the papers presented at the 1989 Comparative Drama Conference held annually at the University of Florida under the auspices of the Classics Department. Contents: Spatio-Temporality as Theater Performance; Subversive Sophocles, Anarchic Aeschylus: The Living Theatre and Greek Tragedy; Expressionism and Deconstructionism: A Critical Comparison; Theatrical Revolution: Edward Gordon Craig's 'Much Ado About Nothing' (1903); Arnolt Bronnen's Austro-Expressionist War Plays; Camera Language: Picturing Pinter's The Homecoming; Doubling and Irrationality in Pier Paolo Pasolini's Medea; The Naming of Rance: Orton's Allusions to Henrik Ibsen in What the Butler Saw; From Scenario to Script: O'Neill's Use of History in The Creation of A Touch of the Poet and More Stately Mansions; Ferdinand Vanek, or Compliant Protest; Woman Takes Center Stage: Three Versions of "The Female Condition" on the German Theatre Stage Today; Beauty Non-Beauty in Euripides' Orestes and Metope XXVII From the Parthenon; Haunting Ourselves: History and Utopia in Howard Brenton's Bloody Poetry and Greenland; and Lameness and Limping in Southern Plays. |
Índice
SPATIOTEMPORALITY AS THEATER | 1 |
THE LIVING | 11 |
A CRITICAL | 19 |
Página de créditos | |
Otras 11 secciones no se muestran.
Términos y frases comunes
action Aeschylus American Antigone appears audience beautiful becomes begins body Brecht Bronnen Butler castrated character continued Courage Craig create critical cycle death described discussion drama effect Eteocles example experience expression expressionism expressionist figure final follows force function German Greek Greek tragedy Greenland hand Havel House human identity images important interpretation Jason John lame language later Living Living Theatre London meaning Medea Mother movement moving nature notes O'Neill objects Orton Pasolini's performance photograph physical picture Pinter's play Poetry political possible present Press prison production provides Rance reality reference relation represents reveals role scene seems sense sexual significant social society space stage structure suggests symbols Terry Theatre theatrical theory traditional true University University Press Vaněk versions woman women writing York
Referencias a este libro
Revisiones criticas del teatro alternativo britanico 1968-1990/ Critics ... José Ramón Prado Pérez Vista previa restringida - 2000 |