256. La Trobe (C. I.). Anthems for one, two, or more voices; composed by various Authors; performed in the Church of the United Brethren; collected, and the instrumental parts adapted for the organ or pianoforte, by. folio Presented to the Society by the Rev. F. J. Stainforth. London, 1811. 257. Lawes (Henry and William). "Choice Psalmes put into Musick for Three Voices. The most of which may properly enough be sung by any Three, with a Thorough Base. Compos'd by Henry and William Lawes, Brothers, and Servants to His Majestie. With divers Elegies, set in Musick by sev'rall friends, upon the death of William Lawes. And at the end of the Thorough Base are added nine Canons of Three and Four Voices, made by William Lawes." In four separate parts, bound together. quarto. London, 1648. A copper-plate portrait of Charles I., believed to be the last published in his lifetime, faces the titles of the Cantus primus and Thorough Base, and is on the backs of the titles to the other two parts; and amongst the commendatory verses prefixed to the work is the Sonnet addressed by Milton to Henry Lawes, commencing "Harry, whose tuneful and well-measured song." 258. Lawes (Henry and William). The same. The Cantus Secundus and Bassus parts only: bound together. quarto. London, 1648. Presented to the Society by Mr. R. W. Haynes. 259. Le Jeune (A.). Messe. In vocal score. oblong folio. London. Presented to the Society by the Rev. F. J. Stainforth. 260. Le Jeune (Claude). "Dodecacorde, Contenant Douze Pseaumes de David, mis en Mvsique selon les Douze Modes, à 2, 3, 4, 5, 6, et 7 voix." In separate parts. The Dessus part contains a portrait of the composer. Six volumes. oblong quarto. Rochelle, 1598. 261. Le Jeune (Claude). Les Cent Cinquante Pseaumes de David, mis en Musique à quatre parties. In separate parts. 4 vols., oblong Paris, 1650. octavo Paris. 262. Leo (Leonardo). Miserere a due cori obligati col basso continuo. In score. folio 263. Leonarda (Isabella). In separate parts. 264. Leonarda (Isabella). Sacri concerti, a una, due, tre et quatro voci. quarto et Motetti a una, due, e tre voci, pure con stromenti. In separate parts. quarto Bologna, 1696. 265. Leslie (Henry). score. folio "Let God arise," a Festival anthem. In vocal Presented to the Society by the composer. 266. Le Sueur (Jean François). Première Messe Solennelle. folio. Presented to the Society by Mr. F. Deffell. 267. Le Sueur (J. F.). Trois Te Deum, a grand orchestra. folio. Presented to the Society by the Rev. F. J. Stainforth. London. In full score. Paris, 1828. In full score. . Paris, 1829. 268. Le Sueur (J. F.). Trois Oratorios pour le Couronnement des Princes Souverains de la Chrétienté, n'importe les Communions, executé au Sacre de l'Empéreur Napoléon Ier (Paroles Latines). In vocal The incidental Motets, &c., for Napoleon's coronation, were composed by Le Sueur: but the Grand Mass and Te Deum for the same occasion were composed (for two choirs and two orchestras) by Paesiello, then Maître de Chappelle to the Emperor. 269. Lock (Matthew). "Modern Church Music; Pre-Accus'd, Censur'd and Obstructed in its Performance before His Majesty, April 1, 1666. Vindicated by the Author, Matt. Lock, Composer in Ordinary to His Majesty." folio [London, 1666]. This publication, which occupies one large sheet of four pages, consists of a Kyrie and Credo (the former set in ten different ways), and an angry preface occasioned by some opposition manifested towards the composition on account of the deviation from the ordinary routine of the setting of the Kyrie. 270. Lorenzani (Paolo). Motets a I., II., III., IV. et V. parties, avec symphonies et basse continue. In separate parts, 10 books, in a 271. Lowe (Edward). A Short Direction for the performance of Cathedrall Service. Published for the information of such Persons as are Ignorant of it, And shall be call'd to officiate in Cathedrall or Collegiate Churches where it hath formerly been in use. By E. L. oblong duodecimo Oxford, 1661. 272. Lowe (Edward). A Review of some Short Directions for performance of Cathedral Service. Published for the information of such as may be called to officiate in Cathedrall or Collegiate Churches, or religiously desire to bear a part in that service. The Second Edition. With many useful additions relating to the Common Prayer Book as it is now established. duodecimo. Oxford, 1664. 273. Lowe (Edward). The Same. Edited by E. F. Rimbault, LL.D. small quarto London, 1843. 274. Luther (Dr. Martin). Deutsche Geistliche Lieder, herausgegeben von C. v. Winterfield. quarto Presented to the Society by the Rev. F. J. Stainforth. Leipsic, 1840. 275. Luther (Martin). Twelve Corales, composed and harmonized by Martin Luther, Schop, Eccard, Graun, Osiander, Homilius, and Sebastian Bach, arranged by Sir H. R. Bishop. folio. London. 276. Lyddon (James). "My God, my God, look upon me." Anthem for a tenor-bass. In score. [Printed on one side only of the leaves.] folio . London (?). In 277. Maggio (Francesco di). Sacri Armonia di Musicali Concenti, a due, tre, quattro e cinque voci, con una Messa a 5 concertata. separate parts in one volume. quarto Milan, 1670. 278. Mahers (Rev. W. J.). Pastoral Mass for four voices, with an accompaniment for the organ. In score. folio Presented to the Society by Mr. Richard Butler. London. 279. Marcello (Benedetto). Parafrasi sopra li primi e secondi Venticinque Salmi. Poesia di Girolamo Ascanio Giustiniani. In full score. Plates. 8 vols., folio. [The eighth volume in MS.]. Venice, 1724-5-6. 280. Marcello (Benedetto). Salmi di Davide, parafrasati da Ascanio Giustiniani, con accompagnamento di Piano della composizione di Francesco Mirecki. [The pianoforte arrangement is in addition to the full score.] Portrait of the composer. 4 vols., folio. Paris. 281. Marcello (Benedetto). The same. Bound in 5 vols. Presented to the Society by the Rev. F. J. Stainforth. Presented to the Society by the Rev. F. J. Stainforth. 285. Mendelssohn Bartholdy (Felix). Te Deum laudamus. [The English version.] In score. folio London. 286. Mendelssohn Bartholdy (Felix). The 42nd Psalm, "As the hart pants." In vocal score. folio. London. "Hear my 287. Mendelssohn Bartholdy (Felix). The 55th Psalm, prayer, O God," for soprano solo and chorus. In vocal score. folio. London. 288. Mendelssohn Bartholdy (Felix). The 95th Psalm, "Come, let us sing." In vocal score. folio London. 289. Mendelssohn Bartholdy (Felix). The 98th Psalm, for a double chorus and orchestra, written for and performed on New Year's day, 1844, in the Cathedral at Berlin. In vocal score. folio. London. 290. Mendelssohn Bartholdy (Felix). The 114th Psalm, "When Israel out of Egypt came," for chorus (8 parts) and orchestra. In full score. German and English text. folio. London and Leipsic. 291. Mendelssohn Bartholdy (Felix). The same. In vocal score. folio. . Bonn. 293. Mendelssohn Bartholdy (Felix). The 130th Psalm, "In deep distress," with an English paraphrase by W. Bartholomew: the music for solo and chorus. In vocal score. folio London. 294. Mendelssohn Bartholdy (Felix). Three Psalms for an eight-part chorus, without accompaniment, composed for the Cathedral at Berlin. In score. folio Presented to the Society by Mr. Buxton. London. 295. Mendelssohn Bartholdy (Felix). Ave Maria, für achtstimmigen chor, mit begleitung der orgel. In score. folio Bonn. 296. Mendelssohn Bartholdy (Felix). "Saviour of Sinners," an adaptation by W. Bartholomew to English words of the "Ave Maria," last described. In score. English and Latin text. octavo. Presented to the Society by Messrs. Ewer and Company. London. 297. Mendelssohn Bartholdy (Felix). Da pacem, Domine (Grant us Thy peace), Motett for four voices. In vocal score. Latin and Eng lish text. folio. D London. 298. Mendelssohn Bartholdy (Felix). Six Motetts for an eight-part chorus, with Latin words adapted. In score. folio. Exultate Deo. Adoramus te, Christe. Presented to the Society by Messrs. Ewer and Company. London. 299. Mendelssohn Bartholdy (Felix). Six Cathedral Anthems, originally written for an eight-part chorus, arranged in four parts, with accompaniment for the organ or pianoforte, by Charles Steggall, Mus. Doc. In score. An adaptation of the preceding work. London [1855]. folio Presented to the Society by Messrs. Ewer and Company. 300. Mendelssohn Bartholdy (Felix). "Lord, bow down" ("Lass, O Herr "), Hymn for a contralto voice, and chorus, with accompani ment of orchestra, or organ or pianoforte. In vocal score. London [1855]. Presented to the Society by Messrs. Ewer and Company. 301. Mendelssohn Bartholdy (Felix). Three Anthems from Mendelssohn's Three Motetts for Treble voices: the words adapted from the Psalms by Thos. Attwood Walmisley. In score. folio. London. 302. Mendelssohn Bartholdy (Felix). Sanctus, adapted to a subject from Mendelssohn's Elijah, by Robert Glenn Wesley. In vocal score. folio. London. Presented to the Society by Messrs. Ewer and Company. 303. Merbecke (John). The Book of Common Prayer, noted. Reprinted, in fac simile, from the original edition of 1550. small quarto. London, 1844. 304. Merula (Claudio). Missarum quinque Vocum. Liber Primus. In separate parts (the cantus, tenor, and bassus only). oblong quarto Venice, 1573. 305. Messa a otto voci, due violini, due oboi, due corni, violoncello, timpani, et organo. (The composer's name is not stated.) In separate parts. folio Paris. 306. Meyerbeer (Giacomo). The Ninety-first Psalm, in eight parts, for voices only, with English and Latin words. In score. octavo. London [1854]. Presented to the Society by Mr. T. F. Beale. |