107. Binfield (John Bilson). The Order of Daily Service, with the musical notation as used in the Cathedral Church of the Holy Trinity, Winchester, edited by. octavo London, 1846. Bound up with the preceding number. 108. Bishop (Sir Henry Rowley). Cathedral Chants. In score. folio. Manchester. 109. Bishop (John) and Warren (Joseph). Repertorium Musicæ Antiquæ ; a Miscellaneous Collection of Classical Compositions by the greatest masters of Italy, Germany, &c., edited by. In score. Parts I. and II. (all published) containing compositions by Orazio Benevoli, Andreas Pevernage, Jacobus Gallus (Handl) and Alessandro Scarlatti. folio. London, 1848. Presented to the Society by Mr. Joseph Warren. 110. Blake (Daniel). The Litany of our Lord and Saviour Jesus Christ (in English), adapted to be sung in the Afternoon Service of the Catholic Church. folio London. 111. Bomporti (Francesco Antonio). Motetti a Canto Solo, con violini, per ogni solenitá. In separate parts, bound in 1 vol. quarto. Venice, 1701. 112. Bomtempo (J. D.). Messe di Requiem; consacré à la Mémoire de Camöes. In full score, with an arrangement for pianoforte underneath. folio Paris. 113. Bond (Capel). Six Anthems, in score. folio Presented to the Society by the Rev. F. J. Stainforth. 114. Bond (Hugh). Hymns and Anthems. See No. 189. 115. Boyce (William), Mus. Doc. Cathedral Music, being a collection in score of the most valuable and useful compositions for that service by the several English masters of the last 200 years, selected The portrait and memoirs of Dr. Boyce, originally published in the second edition, are inserted in the first volume. 116. Boyce (William), Mus. Doc. the portrait). 3 vols., folio. The same. Second Edition (wanting London, 1788. 117. Boyce (William), Mus. Doc. The same, in separate vocal parts, viz., Treble, Alto, Tenor, and Bass, and a separate part for the organ, arranged by Vincent Novello. Two sets, five parts each: a portrait of V. Novello is prefixed to the organ part. folio. London. 118. Boyce (William), Mus. Doc. The same. A new edition, with an appendix to each volume, containing additional services and anthems, a life of Dr. Boyce, memoirs of the composer, and an accompaniment for the organ by Joseph Warren. portrait of Dr. Boyce. 3 vols., bound in 6, folio. London, 1849. 119. Boyce (William), Mus. Doc. Fifteen Anthems, together with a Te Deum and Jubilate, in score. folio London, 1780. 120. Boyce (William), Mus. Doc. A collection of [12] Anthems, and a short Service in score. folio. London, 1790. 121. Boyce (William), Mus. Doc. Anthems, "Lord, Thou hast been our refuge," and "Blessed is he that considereth the poor," and Duet, "Here shall soft charity." In full score. folio (London, 1802); and Cathedral Music, composed by John Stephens, Doctor in Music. In one volume, folio London, 1805. 122. Boyce (William), Mus. Doc. Services and Anthems, edited by Vincent Novello. 4 vols., folio London, 1846-49. This collection contains 46 anthems, and five services, besides other pieces, being nearly the whole of the known Church compositions of this author. An arrangement for the organ, by the editor, is printed under the score; but the vocal score only is given of those anthems for which Dr. Boyce wrote orchestral accompaniments. The fourth volume contains a reprint, with notes, of the Memoirs of Dr. Boyce, originally published in the second edition of his collection of Cathedral Music. 123. Boyce (William), Mus. Doc. Anthem, "Lord, Thou hast been our us." Anthem 124. Buononcini (Giovanni). "When Saul was King over us. performed at the Funeral of John, Duke of Marlborough. In full score. folio Presented to the Society by Mr. M. S. Forristall. London. 125. Butts (Thomas). Harmonia Sacra, or a Collection of Psalm and Hymn tunes in two, three, and four parts, collected from the most celebrated Masters, with an Introduction to Psalmody, and several new tunes. oblong folio London. 126. Byrd (William). A Mass for five voices. In score. Edited by E. F. Rimbault. Published by the Musical Antiquarian Society. (With the organ part arranged by G. Alex. Macfarren.) 2 vols., folio. London, 1841. 127. Byrd (William). Book I. of Cantiones Sacræ, for five voices, originally published A.D. 1589. In score. Edited by William Horsley, M.B. Published by the Musical Antiquarian Society. (With the organ part to the same, arranged by G. Alex. Macfarren.) 2 vols., folio. London, 1842. Presented to the Society (with the preceding) by the Rev. F. J. Stainforth. 128. Byrd (William). See also Tallis, No. 440. 129. Call (Thomas). The Tunes and Hymns as they are used at the Magdalen Chapel; properly set for the Organ, Harpsicord, and Guittar. quarto. London, n.d. Bound in a volume with several Word Books of oratorios and other poems, presented to the Society by Mr. E. R. Wallis. 130. Camidge (John), Mus. Doc. Cathedral Music composed by. In score. folio London, 18 131. Campra (Andre). Motets, à I, II, et III voix, avec la bassecontinue. In full score. Three books, in one vol., folio. Paris, 1710-11, and 1703. 132. Capes (J. M.). Mass for four voices, in vocal score. folio. London. 133. Cathedral Magazine (The), or Divine Harmony; being a Collection of the most valuable and useful Anthems in score. quarto 134. Cherubini (L). pagnemens. Three vols., Messe [in F] à trois voix et chœurs, avec accom- Two copies, one presented to the Society by Mr. Vincent Novello. . Paris. 135. Cherubini (L). Deuxième Messe Solennelle [in D], à quatre parties, avec accompagnemens à grand orchestre. In full score. Presented to the Society by Mr. Francis Deffell. folio. Paris. 136. Cherubini (L). Third Mass, for three voices, adapted from the full score for the organ or pianoforte, and a fourth voice part added, by Haydn Corri. folio London. 137. Cherubini (L). Quatrième Messe Solennelle [in C], à 4 & à 5 partes, avec récits, chœurs, & accompagnemens à grand orchestre. In full score. folio Paris. 138. Cherubini (L). The same, in separate parts. (The Offertorium and Graduale each separate from the Mass.) folio Vienna. Presented to the Society by Mr. F. Deffell. C 139. Cherubini (L). Petite Messe de la Saint Trinité, ou autres Fêtes de l'Année, sur les Chants de l'Eglise en Contrepoint mésure, à trois voix, avec accompagnement d'orgue. In score. folio Paris. Presented to the Society by Mr. Francis Deffell. In 140. Cherubini (L). Requiem, à quatre voix, et à grand orchestre. full score, with an arrangement for the pianoforte by A. F. Wustrow. Bonn et Cologne. folio This work was composed in 1836, when the author was 76 years old, and was performed at his funeral in 1842. 143. Cherubini (L). Six Oeuvres choises de Musique Réligieuse. In full score. folio Paris [1820?]. This work, which was presented to the Society by Mr. Vincent Novello, contains the following Motetts, viz.: Ecce Panis.-Solo Tenor, or Soprano. Pater Noster.-Four Voices. Ave Maria.- Solo Tenor, or Soprano. Sanctus, et O Salutaris.-Solo Tenor, or Tantum Ergo.-Five Voices. 144. Cherubini (L). "Confirma hoc, Deus " [Motett, ou Chour], à trois voix, composé pour le Sacre de Charles X. [Roi de France, A.D. 1825]. In full score. folio Presented to the Society by Mr. Francis Deffell. Paris. 145. Chetham (Rev. John). A book of Psalmody, containing a variety of Tunes for Psalms, with Chanting tunes, and Fifteen Anthems, all set in four parts. Seventh edition. octavo. London, 1745. Presented to the Society by Mr. R. W. Haynes. 146. Chetham (Rev. John). The same. Ninth edition. octavo. Leeds, 1767. 147. Child (William), Mus. Doc. Choise Musick to the Psalmes of David, for Three Voices, with a Continuall Base either for the Organ or Theorbo. Two copies; one with the 4 separate parts in a case, the other with the 4 parts bound in one volume. small oblong folio. London, 1656. This curious publication is not (as might be supposed from the title) a collection of psalm tunes, but twenty short anthems, for two trebles and bass, the words selected from the Psalms. 148. Cole (William). Psalmodist's Exercise. See No. 189. 149. Colonna (Giovanni Paolo). Messa, Salmi, e Responsori per li Defonti, a otto voci pieni. In separate parts, bound together in a volume. quarto Bologna, 1685. See another copy, No. 312, and a MS. score, No. 1,402. 150. Colonna (Giovanni Paolo). Psalmi, octo vocibus, ad ritum Eccle siasticæ Musices concinendi, & ad primi & secundi organi sonum accommodati. Liber Tertius. Opus Undecimum. In separate parts; ten books, engraved frontispiece to each. quarto. 153. Corfe (Joseph). Church Music, consisting of a Te Deum, Jubilate, Cantate Domino, and Deus Misereatur, with eight Anthems, three Collects, and a Sanctus. In score. folio 154. Costa (Michael). London. "Suffer little children to come unto Me," a Baptismal Anthem. In score, with one set of separate chorus parts. folio. London [1853]. Presented to the Society by the composer. Chorus. In vocal score. folio 155. Costa (Michael). Date Sonitum, an Offertorium, for a bass voice, and 156. Cotton (Very Rev. J. H.), D.D., Dean of Bangor. Bangor Cathedral Collection; being a Selection of Anthems and Sacred Music, adapted to English words, from the works of various composers. In vocal score, with an arranged accompaniment. folio. Chester, 1848. 157. Cozzi (Carlo). Salmi per la Compieta con le Antifone e Letanie della B. V. concertata a 3 e 4 voci, con la quinta parte, si placet. In separate parts, bound in one volume. quarto. Milan, 1649. 158. Croce (Giovanni). Motetti, a quattro voci, nuovamente ristampati e corretti. Libro Primo. In separate parts in a case (the bass part wanting the title). quarto Venice, 1602. 159. Croft (William), Mus. Doc. Thirty select Anthems in score, to which is added the Burial Service, as it is now occasionally performed in Westminster Abbey. Portrait of the composer. (Two Copies) 2 vols., folio. London. |