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from 1763 to 1794, with a variety of new pieces, written expressly for this work by the most esteemed composers.

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Edited by. In

London.

972. Horsley (William), Mus. Bac. A Volume containing the following Glees (printed singly) from Horsley's 'Vocal Harmony'. folio.

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973. Horsley (William), Mus. Bac. Six Glees, for two trebles and a bass. Op. 3. The Composer's autograph at foot of title-page. oblong folio.

The May Fly, Glee for 3 voices, by Dr. Callcott; and

O Nanny, wilt thou gang with me?

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974. Jones (Robert).

London.

Harmonized as a Glee by

London.

Ultimum Vale, or the Third Book of Ayres for 1,

2 and 4 Voyces. (Wanting the title.) folio.

This copy is believed to be unique.

London, n.d. [1608].

975. Kreutzer (Conradin). Sechs [Gesange] gedichte von M. Hessemer, 1 und 2 Heft. In

in Musik gesetzt für Vier Mannerstimmen.

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score and separate parts. octavo.

977. Kreutzer (Conradin). XII Vierstimmige Gesange und Choere. In

978. Martini (Padre Giambattista). Cinquantadue Canoni, a due, tre, e

Mainz.

quattro voci.

octavo.

Venice.

979. Martini (Padre Giambattista). Sessanta Canoni, a due, tre, e quattro voci, con accompagnemento di pianoforte composto da Pio Cian

In score. oblong folio

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London.

chettini. 980. Mornington (Garrett Wellesley, Earl of). The Glees and Madrigals composed by, published for the first time in a complete form. Edited by Sir Henry R. Bishop. In score. folio. London, 1846. 981. Musicæ Vocalis Delicia; being a Collection of Madrigals, Glees, Catches, &c., in score. Vol. II. octavo London.

982. Novello's Part Song Book, a Collection of chorusses and other pieces for three, four, and five voices. Edited by Edwin George Monk. London, 1851.

In vocal score.

quarto

983. Novello's Part Song Book. In separate parts. Two sets, eight parts.

octavo

London, 1851. 984. Orpheus, a Collection of Glees of the most admired German composers. English Text. Books I. to XVI and XXIII. Four separate

voice parts and a separate pianoforte accompaniment.

octavo

oblong

London.

985. Playford (John). The Musical Companion, in two Books: the First Book containing Catches and Rounds, for Three Voyces; the Second Book containing Dialogues, Glees, Ayres, and Songs, for Two, Three and Four Voyces. Collected and published by.

oblong quarto

The date on the title to the Second Book is 1672.

London, 1673.

986. Playford (John). Another edition (wanting the title, table of contents,

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987. Purcell (Henry), &c. The Catch Club, or Merry Companions, being a choice collection of the most diverting Catches for three and four voices, compos'd by the late Mr. Henry Purcell, Dr. Blow, &c. Two Books in one volume. oblong quarto London.

988. Ravenscroft (Thomas), Mus. Bac. Pammelia. Musickes Miscellanie: or Mixed Varietie of pleasant Roundelayes and delightfull catches of 3, 4, 5, 6, 7, 8, 9, 10 Parts in one.

quarto.

London, 1609.

A few catches are written in a contemporary hand on the fly leaves at the end of

the book.

989. Ravenscroft (Thomas), Mus. Bac. Pammelia. (Another edition.)

London, 1618.

Deuteromelia: or, The Second part of Musick's melodie, or melodius Musicke, Of pleasant Roundelaies; K. H. mirth, or Freemen's Songs and such delightfull Catches. London, 1609.

Melismata. Musicall Phansies, fitting the Court, Citie and Countrey Humours to 3, 4, and 5 Voyces London, 1611.

A Briefe Discourse of the true (but neglected) use of Charact'ring the Degrees by their Perfection, Imperfection and Diminution in Measurable Musicke, against the Common Practise and Custome of these Times Examples whereof are exprest in the Harmony of 4 Voyces, Concerning the Pleasure of 5 usuall Recreations. 1. Hunting. 2. Hawking. 3. Dancing. 4. Drinking. 5. Enamouring. London, 1614.

Bound in one volume, quarto.

990. Saffrey (Osmond).

Two Sets of favourite Glees (each containing Six), selected from the most admired composers, and adapted for three voices. In score. folio

991. Sale (John). Three Collections of Glees, edited by, viz.:

London.

Six Glees, three by Lord Mornington and three by John Sale.
Six Glees by Lord Mornington.

Glees by John Sale, Dr. Arnold, Samuel Webbe, Dr. Callcott, and
William Linley.

Bound together. oblong folio

London.

992. Smith (John Stafford). A collection of Glees for 3, 4, 5, and 6 voices. In score. oblong folio

London.

993. Smith (John Stafford). A select Collection of Catches, Canons, and Glees, for three and four voices.

A miscellaneous Collection of New Songs, Catches, and Glees, for one, two, three, four, and five voices; and a Cantata, entitled 'The Frantic Lady.'

A collection of Songs of various kinds, and for different voices.

A Fifth Book of Canzonets, Catches, Canons, and Glees.

Bound together. oblong folio.

London.

994. Spofforth (Reginald). A Collection of Glees, compiled from the

unpublished manuscripts of the late Reginald Spofforth, carefully collated with the originals by W. Hawes. In score. folio.

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Six Scotch Airs, harmonized as Glees by William Hawes.
Six Glees, for three and four voices, by William Hawes.

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In score.

In score.

London.

The Memoir of Spofforth (printed for the above folio Collection of his Glees) is inserted within the cover.

996. Stirling (Elizabeth). Nine Choral Songs. In score. folio.

Presented to the Society by Mr. J. A. Novello.

London [1857].

997. Walmisley (Thomas Forbes). A Collection of Glees, Trios, Rounds, and Canons. In score. folio

London.

998. Walmisley (Thomas Forbes). Six Glees for three, four, five, and six voices. See No. 935.

999. Warren (Thomas). The Collections of Catches, Canons, and Glees (thirty-two in number) edited by. 5 vols., oblong folio. London.

.

Within the cover of the first volume is an "Index to Warren's Collection of Catches, Canons, Glees, and Madrigals, together with the Vocal Harmony." octavo London, 1836. 1000. Warren (Thomas). A Collection of Vocal Harmony, consisting of Catches, Canons, and Glees, to which are added several Motetts and Madrigals composed by the best Masters. oblong folio (bound uniformly with the foregoing).

Selected by.

London.

1001. Warren (Thomas). Collection of Vocal Harmony.

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Another copy.
London.

1002. Warren (Thomas). Collections of Catches, Canons, and Glees (the first twenty-five only). Bound in 5 vols., oblong folio. London. This copy has been rendered imperfect by the excision of such pieces as are set to objectionable words.

1003. Webbe (Samuel). A Selection of Glees, Duets, Canzonets, &c., principally taken from the Nine Books published at different periods from the year 1764, by Samuel Webbe; to which are added many new Glees and Canzonets, never before published. In score. Three vols., folio

London.

I

1004. Webbe (Samuel). Six Original Glees by the late Samuel Webbe.

In score.

folio.

London. 1005. Webbe (Samuel), jun. Convito Armonico; a Collection of Madrigals, Elegies, Glees, Canons, Catches, and Duets, selected from the works of the most eminent Composers. [A pianoforte arrangement is subjoined to most of the compositions.] Four vols. bound in two, folio London.

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COLLECTIONS OF SONGS.

1006. Abell (John). A collection of Songs in various languages, composed

by. folio

London, 1701. 1007. Abell (John). A collection of Songs in English, composed by. London, 1701.

folio

1008. Airs.

Bound пр with Mercurius Musicus, No. 1,101.

XIX Livre d'Airs de different autheurs à deux parties. [The composers' names are not given.] octavo. Paris, 1676. 1009. Airs. Recueil d'Airs Serieux et à Boire, de different autheurs [pour Decembre 1710, et l'année 1711]. In score. oblong quarto Amsterdam, 1710-11.

1010. Albert (H.R.H. Prince). Three Canzonets, with German and

English Text. In vocal score.

folio.

Presented to the Society by Mr. Lonsdale.

London.

1010*. Albert and Ernest (Princes). Songs and Ballads written and set

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1011. Amaryllis: consisting of such Songs as are most esteemed for composition and delicacy, and sung in the Public Theatres or Gardens. All chosen from the works of the best authors. Two vols. in one, wanting the titles. Vignettes on each page. quarto.

London.

1012. An Antidote against Melancholy; being a Collection of Fourscore Merry Songs. The Music of them all entirely new, and several of the Songs never before set to Music.

small octavo.

London, 1749.

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