Sweden and Visions of Norway: Politics and Culture, 1814-1905

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SIU Press, 2003 - 227 páginas
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H. Arnold Barton investigates Norwegian political and cultural influences in Sweden during the period of the Swedish-Norwegian dynastic union from 1814 to 1905.

Although closely related in origins, indigenous culture, language, and religion, Sweden and Norway had very different histories, resulting in strongly contrasting societies and forms of government before 1814. After a proud medieval past, Norway had come under the Danish crown in the fourteenth century and had been reduced to virtually a Danish province by the sixteenth.

In 1814, as a spin-off of the Napoleonic Wars, Denmark relinquished Norway, which became a separate kingdom, dynastically united with Sweden with its own government under a constitution independently framed that year. Disputes during the next ninety-one years caused Norway unilaterally to dissolve the tie.

Seeing the union a failure, most historians have concentrated on its conflicts. Barton, however, examines the impact of the union on internal developments, particularly in Sweden. Prior to 1814, Norway, unlike Sweden, had no constitution and only the rudiments of higher culture, yet paradoxically, Norway exerted a greater direct influence on Sweden than vice versa.

Reflecting a society lacking a native nobility, Norway's 1814 constitution was?with the exception of that of the United States?the most democratic in the world. It became the guiding star of Swedish liberals and radicals striving to reform the antiquated system of representation in their parliament. Norway's cultural void was filled with a stellar array of artists, writers, and musicians, led by Bjørnsjerne Børnson, Henrik Ibsen, and Edvard Grieg. From the 1850s through the late 1880s, this wave of Norwegian creativity had an immense impact on literature, art, and music in Sweden. By the 1880s, however, August Strindberg led a revolt against an exaggerated ?Norvegomania” in Sweden. Barton sees this reaction as a fundamental inspiration to Sweden's intense search for its own cultural character in the highly creative Swedish National Romanticism of the 1890s and early twentieth century.

Thirty-three illustrations of art and architecture enhance Sweden and Visions of Norway.

 

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Índice

The Road to Union
3
The Civic Vision
19
High Noon and Decline of the Union
58
The Cultural Vision
87
Norway and the Swedish Selfimage
118
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Sobre el autor (2003)

H. Arnold Barton is a professor emeritus of history at Southern Illinois University Carbondale. He is the author of Northern Arcadia: Foreign Travelers in Scandinavia, 1765?1815; A Folk Divided: Homeland Swedes and Swedish Americans, 1840?1940; and The Search for Ancestors: A Swedish-American Family Saga all available from Southern Illinois University Press. In 2000, His Majesty Carl XVI Gustaf of Sweden bestowed on Barton the insignia of Commander of the Royal Order of the Polar Star.

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