An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 8
... tonic , the third three measures close in the mediant . ( This is the first half . ) The fourth three measures end in a diminished seventh chord The fifth three meas- ures end in the submediant , and the sixth three measures close on ...
... tonic , the third three measures close in the mediant . ( This is the first half . ) The fourth three measures end in a diminished seventh chord The fifth three meas- ures end in the submediant , and the sixth three measures close on ...
Página 11
... tonic to mediant and back to tonic as did the introduction and first var . , but at a vital point Franck brings the unexpected . He does follow his thesis of E to G and back to E but in such a large way as now to include many ...
... tonic to mediant and back to tonic as did the introduction and first var . , but at a vital point Franck brings the unexpected . He does follow his thesis of E to G and back to E but in such a large way as now to include many ...
Página 21
... tonic . In conclusion it may be observed that the first four measures of period No.I , contain the melodic essence of the introduction , of the first variation , and of the second and third variations combined , and serves as an ...
... tonic . In conclusion it may be observed that the first four measures of period No.I , contain the melodic essence of the introduction , of the first variation , and of the second and third variations combined , and serves as an ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana