An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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... Variation 4 . The Third Variation B. Melodic Analysis Page 14 1 . The Seven Small Periods 2 . The First Variation 3 . The Second Variation 4. The Third Variation III . Conclusion Page 25 IV . Appendices A. Bibliography B. Specifications ...
... Variation 4 . The Third Variation B. Melodic Analysis Page 14 1 . The Seven Small Periods 2 . The First Variation 3 . The Second Variation 4. The Third Variation III . Conclusion Page 25 IV . Appendices A. Bibliography B. Specifications ...
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... variation 3. Second variation 64 measures 41 meas . followed by the 20 meas . inter- lude in four quarter rhythm 70 meas . 4 . Third variation 64 meas . In spite of the fact that the introduction and the third variation have the same ...
... variation 3. Second variation 64 measures 41 meas . followed by the 20 meas . inter- lude in four quarter rhythm 70 meas . 4 . Third variation 64 meas . In spite of the fact that the introduction and the third variation have the same ...
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... three times -- in the introduction , in the first variation , and in the third variation . ( In the second variation it appears in a transposed and somewhat transformed guise . ) This fact may lend to the composition a semblance of ...
... three times -- in the introduction , in the first variation , and in the third variation . ( In the second variation it appears in a transposed and somewhat transformed guise . ) This fact may lend to the composition a semblance of ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana