An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 7
Página 15
... higher ) at the same point as the B in the upper melody . I This progression of the interval of the third is the ... higher than the highest point in period No. I , then all melodies descend through two sequences and three pendants ...
... higher ) at the same point as the B in the upper melody . I This progression of the interval of the third is the ... higher than the highest point in period No. I , then all melodies descend through two sequences and three pendants ...
Página 17
... third lower , and all of ( f ) is like all of ( c ) transposed a third lower ... three notes of an arpeggio and an alternating note in such a way that the melody thus ... higher and the inner melody a sixth lower from meas . 65 , 66 , 17.
... third lower , and all of ( f ) is like all of ( c ) transposed a third lower ... three notes of an arpeggio and an alternating note in such a way that the melody thus ... higher and the inner melody a sixth lower from meas . 65 , 66 , 17.
Página 20
... third ) lower than the original No. No.VII in the introduction ( up - beat of meas . 195 ) . The second phrase , in the pedal , enters a third higher ( two octaves below original ) at meas . 200 and then wanders off into sequences and ...
... third ) lower than the original No. No.VII in the introduction ( up - beat of meas . 195 ) . The second phrase , in the pedal , enters a third higher ( two octaves below original ) at meas . 200 and then wanders off into sequences and ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana