An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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... themes are of a hymn - like character . In a Bach chorale - prelude the melody is treated as a cantus firmus . In this particular chorale of Franck the chorale subject makes its appearance as a sort of coda to several other subjects ...
... themes are of a hymn - like character . In a Bach chorale - prelude the melody is treated as a cantus firmus . In this particular chorale of Franck the chorale subject makes its appearance as a sort of coda to several other subjects ...
Página 21
... theme . 8 This is the summation of the coda - chorale ! In the last five measures ( X ) alone is used , further transformed by expansion of the interval of a fourth to the interval of a fifth -- from E to B -- the two strongest tones in ...
... theme . 8 This is the summation of the coda - chorale ! In the last five measures ( X ) alone is used , further transformed by expansion of the interval of a fourth to the interval of a fifth -- from E to B -- the two strongest tones in ...
Página 27
... theme here is a melody de- rived from motive ( X ) but the second theme is either the first theme merely transposed to G or the coda - chorale , and that is in E Major . There is too much difficulty with the modulatory interlude of 20 ...
... theme here is a melody de- rived from motive ( X ) but the second theme is either the first theme merely transposed to G or the coda - chorale , and that is in E Major . There is too much difficulty with the modulatory interlude of 20 ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana