An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 5
Página 7
... measures of period No.I establishes a melodic thesis of an upward progressing third , so the tonal relations over the six first periods ( which are really three song forms ) conform to this idea . Periods I and II in E 5 Periods III and 7.
... measures of period No.I establishes a melodic thesis of an upward progressing third , so the tonal relations over the six first periods ( which are really three song forms ) conform to this idea . Periods I and II in E 5 Periods III and 7.
Página 9
... varia- tion Franck does not include period No. ( which is the second half of the first complete song form ) because by so doing there would have been too much of the E tonality . The harmonic scheme ( with economy in repetition of the 9.
... varia- tion Franck does not include period No. ( which is the second half of the first complete song form ) because by so doing there would have been too much of the E tonality . The harmonic scheme ( with economy in repetition of the 9.
Página 24
... song forms ) ( 46 meas . ) ; followed by what seems to be a coda but proves eventually to be " the real chorale " , a double period of 18 meas . The intro- duction in all consists of 64 meas . The first variation is 41 meas . long ...
... song forms ) ( 46 meas . ) ; followed by what seems to be a coda but proves eventually to be " the real chorale " , a double period of 18 meas . The intro- duction in all consists of 64 meas . The first variation is 41 meas . long ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana