An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 4
Página 3
... similar nature from almost any and all histories and surveys of composers and their art works could be cited at length , and while these subjective appraisals aid much in the evaluation of the effect of the music they do not investigate ...
... similar nature from almost any and all histories and surveys of composers and their art works could be cited at length , and while these subjective appraisals aid much in the evaluation of the effect of the music they do not investigate ...
Página 7
... similar moving perfect fifths . and No. V return to the tonality of E. Periods No. As the top melodic line of the first four measures of period No.I establishes a melodic thesis of an upward progressing third , so the tonal relations ...
... similar moving perfect fifths . and No. V return to the tonality of E. Periods No. As the top melodic line of the first four measures of period No.I establishes a melodic thesis of an upward progressing third , so the tonal relations ...
Página 28
... similar to countless rondo subjects ) , the melody of which appears in the same key unchanged three times -- in the introduction , in the first variation , and in the third variation . ( In the second variation it appears in a ...
... similar to countless rondo subjects ) , the melody of which appears in the same key unchanged three times -- in the introduction , in the first variation , and in the third variation . ( In the second variation it appears in a ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana