An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 7
Página 7
... sequences ends in the key of G. Period No. is a reflection of period No. II , but instead of ending in e it ends in g . ( The rhythm and The harmony of length are the same as in period No. I. ) II . the second half of the period is ...
... sequences ends in the key of G. Period No. is a reflection of period No. II , but instead of ending in e it ends in g . ( The rhythm and The harmony of length are the same as in period No. I. ) II . the second half of the period is ...
Página 16
... sequences and three pendants . Period No. might be considered the answering period to period No.III , as period No.I was to period No. I. Period No. rises through two sequences and descends through two pendants . Period No. has , like ...
... sequences and three pendants . Period No. might be considered the answering period to period No.III , as period No.I was to period No. I. Period No. rises through two sequences and descends through two pendants . Period No. has , like ...
Página 20
... sequences and gives way to the rhythmic quickening device of the triplet figure at meas . 218 which lifts , during its progress , the general melodic level to meas . 232 where period No. the choral is exploited for the last time with ...
... sequences and gives way to the rhythmic quickening device of the triplet figure at meas . 218 which lifts , during its progress , the general melodic level to meas . 232 where period No. the choral is exploited for the last time with ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana