An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 3
Página 9
... progression is from E to G and back to E. At this point in this varia- tion Franck does not include period No. ( which is the second half of the first complete song form ) because by so doing there would have been too much of the E ...
... progression is from E to G and back to E. At this point in this varia- tion Franck does not include period No. ( which is the second half of the first complete song form ) because by so doing there would have been too much of the E ...
Página 15
... progression in the passacaglia - like bass melody which corresponds in all points to the melody just # described . Beginning on low E and touching G ( the third higher ) at the same point as the B in the upper melody . I This progression ...
... progression in the passacaglia - like bass melody which corresponds in all points to the melody just # described . Beginning on low E and touching G ( the third higher ) at the same point as the B in the upper melody . I This progression ...
Página 21
... progression from E to E was delayed from the second variation until after the third variation had exploited two phrases of the coda - chorale ( meas . 196 ) . It remains here to point out , in the final repetition of the coda- chorale ...
... progression from E to E was delayed from the second variation until after the third variation had exploited two phrases of the coda - chorale ( meas . 196 ) . It remains here to point out , in the final repetition of the coda- chorale ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana