An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 3
... perhaps profitable to subject one of these " religious effusions " to a minute objective analysis , to measure the beams which support the arches , observe the melodic deco- rations and the harmonic colorings and the polyphonic flying ...
... perhaps profitable to subject one of these " religious effusions " to a minute objective analysis , to measure the beams which support the arches , observe the melodic deco- rations and the harmonic colorings and the polyphonic flying ...
Página 26
... perhaps of sonata form in the work considered as a whole . The first part ( the seven small periods forming an introduction ) introduces , to be sure , a very complex subject for sonata treatment . The first variation might be ...
... perhaps of sonata form in the work considered as a whole . The first part ( the seven small periods forming an introduction ) introduces , to be sure , a very complex subject for sonata treatment . The first variation might be ...
Página 28
... chorale prelude ) combining the chorale variation with sonata and rondo form is essentially a daring though perhaps a logical innovation . ( He introduced a lied in the first movement of his D Major Quartet , a procedure which. 28.
... chorale prelude ) combining the chorale variation with sonata and rondo form is essentially a daring though perhaps a logical innovation . ( He introduced a lied in the first movement of his D Major Quartet , a procedure which. 28.
Términos y frases comunes
analysis appearance bass beat beginning Bourdon cadence characteristic chorale chord chromatic close coda coda-chorale coda-chorale period combination completes composer composition conclusion considered continual contrapuntal contributing tonalities derived descends diminution dominant double effect element enharmonically essential establishes fact fifths figure final Flûte four large four measures fourth Franck give harmonic idea includes indicated integrated interest interlude interval introduction lower major manuals material meas melodic melodic analysis minor modulation motive mystic nature notes observed octave organ Organ with Fonds original passacaglia pedal pedal point perhaps period period No.I phrases played progression proportions quarter religious rhythm rhythmic second half second variation seen sequences seventh sixth sonata song soprano starts stop style suspense Swell symmetry theme thesis third higher third variation three measures tonality tone tonic traits transposed treatment Vox Humana whole written