An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 14
... original hymn - tune - like melodies . But Franck , in his characteristic way , has interwoven these melodies and caused them to grow one from another in a rather complex germ - motive manner . The seventh period is a coda - chorale ...
... original hymn - tune - like melodies . But Franck , in his characteristic way , has interwoven these melodies and caused them to grow one from another in a rather complex germ - motive manner . The seventh period is a coda - chorale ...
Página 17
... original state and in its retrograde inversion and diminution , is the skip of a perfect fourth . Here motive ( X ) is preceded by three notes of an arpeggio and an alternating note in such a way that the melody thus derived from ...
... original state and in its retrograde inversion and diminution , is the skip of a perfect fourth . Here motive ( X ) is preceded by three notes of an arpeggio and an alternating note in such a way that the melody thus derived from ...
Página 20
... original No .. in the introduction ( up - beat of meas . 195 ) . The second phrase , in the pedal , enters a third higher ( two octaves below original ) at meas . 200 and then wanders off into sequences and gives way to the rhythmic ...
... original No .. in the introduction ( up - beat of meas . 195 ) . The second phrase , in the pedal , enters a third higher ( two octaves below original ) at meas . 200 and then wanders off into sequences and gives way to the rhythmic ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana