An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
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Página 15
... notes and an up- ward skip of a fourth . It merely balances on A and through a repetition of the three eighth notes rises a fifth to its destination on B. The C sharp is a neighboring tone and together with A and F # the melody moves ...
... notes and an up- ward skip of a fourth . It merely balances on A and through a repetition of the three eighth notes rises a fifth to its destination on B. The C sharp is a neighboring tone and together with A and F # the melody moves ...
Página 16
... bass or by retardation on the second beat . Melodically the diatonic scale , with suggestions of the Phrygian mode ( meas . 51 ) , is used and the line is made up of half , quarter , dotted quarter , and eighth notes . If 16.
... bass or by retardation on the second beat . Melodically the diatonic scale , with suggestions of the Phrygian mode ( meas . 51 ) , is used and the line is made up of half , quarter , dotted quarter , and eighth notes . If 16.
Página 17
... notes of an arpeggio and an alternating note in such a way that the melody thus derived from diminution is stressed rhythmically the same as it is in meas . 1 . By polyphonic treatment the notes from the top line of meas . 65 , 66 , and ...
... notes of an arpeggio and an alternating note in such a way that the melody thus derived from diminution is stressed rhythmically the same as it is in meas . 1 . By polyphonic treatment the notes from the top line of meas . 65 , 66 , and ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana