An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 3
... nature from almost any and all histories and surveys of composers and their art works could be cited at length , and while these subjective appraisals aid much in the evaluation of the effect of the music they do not investigate the ...
... nature from almost any and all histories and surveys of composers and their art works could be cited at length , and while these subjective appraisals aid much in the evaluation of the effect of the music they do not investigate the ...
Página 9
... natural in the bass , but he had a strong predi- lection for chromatic side steppings and here is an in- stance in point . On the next beat after the cadence the B # actually does become , enharmonically , F4 . If the chord in question ...
... natural in the bass , but he had a strong predi- lection for chromatic side steppings and here is an in- stance in point . On the next beat after the cadence the B # actually does become , enharmonically , F4 . If the chord in question ...
Página 25
... nature of the work -- which is a chorale - variation-- partly from Franck's style which is harmonic and evasive , and partly because of the composer himself who was a religious mystic , intensely human and lovable , whose im ...
... nature of the work -- which is a chorale - variation-- partly from Franck's style which is harmonic and evasive , and partly because of the composer himself who was a religious mystic , intensely human and lovable , whose im ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana