An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
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Página 6
... melodic thesis . ( Melodic considerations are , as far as possible , treated under the heading " melodic analysis " , but this feature is mentioned at this point for the purpose of showing an analogous relationship in the harmonic struc ...
... melodic thesis . ( Melodic considerations are , as far as possible , treated under the heading " melodic analysis " , but this feature is mentioned at this point for the purpose of showing an analogous relationship in the harmonic struc ...
Página 7
... melodic sequences ends in the key of G. Period No. is a reflection of period ... melody climbs by half steps meas . 40 to 43 and descends by half steps meas ... thesis of an upward progressing third , so the tonal relations over the six ...
... melodic sequences ends in the key of G. Period No. is a reflection of period ... melody climbs by half steps meas . 40 to 43 and descends by half steps meas ... thesis of an upward progressing third , so the tonal relations over the six ...
Página 29
... melodic thesis stated in essence in the first four measures . The element of surprise is intensified in the climax ... melody , and rhythm and hangs together to pro- duce a great work of art , or it fails to achieve greatness because it ...
... melodic thesis stated in essence in the first four measures . The element of surprise is intensified in the climax ... melody , and rhythm and hangs together to pro- duce a great work of art , or it fails to achieve greatness because it ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana