An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 7
... melodic line of the first four measures of period No.I establishes a melodic thesis of an upward progressing third , so the tonal relations over the six first periods ( which are really three song forms ) conform to this idea . Periods ...
... melodic line of the first four measures of period No.I establishes a melodic thesis of an upward progressing third , so the tonal relations over the six first periods ( which are really three song forms ) conform to this idea . Periods ...
Página 14
... Melodic Analysis 1 . The six short periods of the introduction are really six short original hymn - tune - like melodies . But Franck , in his characteristic way , has interwoven these melodies and caused them to grow one from another ...
... Melodic Analysis 1 . The six short periods of the introduction are really six short original hymn - tune - like melodies . But Franck , in his characteristic way , has interwoven these melodies and caused them to grow one from another ...
Página 26
... melodies which pivot around a focal point ( meas . 73 to 76 around the note D in the upper melodic line ) . Both in the use of augmented harmonies ( meas . 135 ) and in the chromatic movement of his melodic parts ( meas . 112 and 113 ) ...
... melodies which pivot around a focal point ( meas . 73 to 76 around the note D in the upper melodic line ) . Both in the use of augmented harmonies ( meas . 135 ) and in the chromatic movement of his melodic parts ( meas . 112 and 113 ) ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana