An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 17
... material con- tained in the introduction . The soprano melody ( meas . 65 ) brought to the fore with a solo stop on a separate manual , is now in sixteenth notes , being derived from motive in meas . 1 by diminution . This melodic idiom ...
... material con- tained in the introduction . The soprano melody ( meas . 65 ) brought to the fore with a solo stop on a separate manual , is now in sixteenth notes , being derived from motive in meas . 1 by diminution . This melodic idiom ...
Página 24
... material to be used in the second variation . The second variation is outlined in 70 meas . The third variation is found to be 64 meas . in length . A tabulation of the number of measures is as follows : Introductory material 1 . 2 ...
... material to be used in the second variation . The second variation is outlined in 70 meas . The third variation is found to be 64 meas . in length . A tabulation of the number of measures is as follows : Introductory material 1 . 2 ...
Página 27
... material , this material must be used again in the recapitulation , And nothing like that takes place here . Therefore this section is best described with Franck's indication " con fantasia " ; but it should be noted in passing that the ...
... material , this material must be used again in the recapitulation , And nothing like that takes place here . Therefore this section is best described with Franck's indication " con fantasia " ; but it should be noted in passing that the ...
Términos y frases comunes
analysis appearance bass beat beginning Bourdon cadence characteristic chorale chord chromatic close coda coda-chorale coda-chorale period combination completes composer composition conclusion considered continual contrapuntal contributing tonalities derived descends diminution dominant double effect element enharmonically essential establishes fact fifths figure final Flûte four large four measures fourth Franck give harmonic idea includes indicated integrated interest interlude interval introduction lower major manuals material meas melodic melodic analysis minor modulation motive mystic nature notes observed octave organ Organ with Fonds original passacaglia pedal pedal point perhaps period period No.I phrases played progression proportions quarter religious rhythm rhythmic second half second variation seen sequences seventh sixth sonata song soprano starts stop style suspense Swell symmetry theme thesis third higher third variation three measures tonality tone tonic traits transposed treatment Vox Humana whole written