An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 17
... lower , and all of ( f ) is like all of ( c ) transposed a third lower . In other words , the consequent is not only alliterative but also rhymes with the antecedent . ( It is difficult to say whether the melody determines the har ...
... lower , and all of ( f ) is like all of ( c ) transposed a third lower . In other words , the consequent is not only alliterative but also rhymes with the antecedent . ( It is difficult to say whether the melody determines the har ...
Página 20
... lower than in the second variation -- in order to work up to the highest climax possible in the key and still be performable on the organ . The pedal starts with low Ab -- G # , a seventeenth ( two octaves and a third ) lower than the ...
... lower than in the second variation -- in order to work up to the highest climax possible in the key and still be performable on the organ . The pedal starts with low Ab -- G # , a seventeenth ( two octaves and a third ) lower than the ...
Página 26
... lower is favored enough to say that it is an essential trait . At times there is continual modulation so subtle as to cover tonality by evasive cadences and chromatic side steppings . The variations based essentially on two ideas ...
... lower is favored enough to say that it is an essential trait . At times there is continual modulation so subtle as to cover tonality by evasive cadences and chromatic side steppings . The variations based essentially on two ideas ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana