An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 5
Página 10
... interlude " meas . 106 to 126 shows Franck's liking for shifting sevenths and consecutive fifths . The first chord in meas . 106 would resolve normally as Vy in F , meas . 108 as Vry in A , meas . 110 as Vy in Db , but each dominant ...
... interlude " meas . 106 to 126 shows Franck's liking for shifting sevenths and consecutive fifths . The first chord in meas . 106 would resolve normally as Vy in F , meas . 108 as Vry in A , meas . 110 as Vy in Db , but each dominant ...
Página 16
... interlude and is not used again in the body of the work . The first four meas . phrase is interrupted by two meas . of pendant - sequences , then resumed ( up - beat in meas . 42 ) for two meas . then ex- tended for two meas . The ...
... interlude and is not used again in the body of the work . The first four meas . phrase is interrupted by two meas . of pendant - sequences , then resumed ( up - beat in meas . 42 ) for two meas . then ex- tended for two meas . The ...
Página 24
... interlude in four quarter rhythm , which in- troduces material to be used in the second variation . The second variation is outlined in 70 meas . The third variation is found to be 64 meas . in length . A tabulation of the number of ...
... interlude in four quarter rhythm , which in- troduces material to be used in the second variation . The second variation is outlined in 70 meas . The third variation is found to be 64 meas . in length . A tabulation of the number of ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana