An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 5
... harmonic and melodic-- together with such rhythmic proportions as may be found helpful in establishing a certain unity to the whole . For the sake of clarity the analyses are considered separately , but because of the interrelationship ...
... harmonic and melodic-- together with such rhythmic proportions as may be found helpful in establishing a certain unity to the whole . For the sake of clarity the analyses are considered separately , but because of the interrelationship ...
Página 11
... harmonic basis . " More a harmonic emanation than a com- mentary on the themes . " 6 The key signature is changed at the outset , meas . 126 , and for the first time we have a long contrasting passage in the parallel minor . A ...
... harmonic basis . " More a harmonic emanation than a com- mentary on the themes . " 6 The key signature is changed at the outset , meas . 126 , and for the first time we have a long contrasting passage in the parallel minor . A ...
Página 21
... harmonic analysis the funda- mental progression from E to E was delayed from the second variation until after the third variation had exploited two phrases of the coda - chorale ( meas . 196 ) . It remains here to point out , in the ...
... harmonic analysis the funda- mental progression from E to E was delayed from the second variation until after the third variation had exploited two phrases of the coda - chorale ( meas . 196 ) . It remains here to point out , in the ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana