An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
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Página 13
... figure ( X ) in diminution , but instead of the passacaglia bass the first phrase of the coda - chorale is now stated ( forte ) in the pedal . The tonality is e minor . Beginning at meas . 204 a long pedal point on B makes its ...
... figure ( X ) in diminution , but instead of the passacaglia bass the first phrase of the coda - chorale is now stated ( forte ) in the pedal . The tonality is e minor . Beginning at meas . 204 a long pedal point on B makes its ...
Página 20
... figure at meas . 218 which lifts , during its progress , the general melodic level to meas . 232 where period No. VII . the choral is exploited for the last time with full organ and in imitation at the octave . If the organ is a good ...
... figure at meas . 218 which lifts , during its progress , the general melodic level to meas . 232 where period No. VII . the choral is exploited for the last time with full organ and in imitation at the octave . If the organ is a good ...
Página 28
... figure ( X ) in each of the four large divi- sions and in its return in the last five measures of the composition . ( X ) has passed from in meas . 1 to in meas . 65 to in meas . 112 and 126 and 196 to at the end , meas . 225 to 259 ...
... figure ( X ) in each of the four large divi- sions and in its return in the last five measures of the composition . ( X ) has passed from in meas . 1 to in meas . 65 to in meas . 112 and 126 and 196 to at the end , meas . 225 to 259 ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana