An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 12
... element of surprise , to the writer is one of the principal artistic merits to be observed in the composition . The suspense engendered by waiting for the return of E is carried over until after the beginning of the third var . This ...
... element of surprise , to the writer is one of the principal artistic merits to be observed in the composition . The suspense engendered by waiting for the return of E is carried over until after the beginning of the third var . This ...
Página 13
... element of surprise and suspense that was carried over from the second variation . It may be seen from the foregoing that the E tonality is the basis of whatever contributing tonalities may be introduced . It is the generating force in ...
... element of surprise and suspense that was carried over from the second variation . It may be seen from the foregoing that the E tonality is the basis of whatever contributing tonalities may be introduced . It is the generating force in ...
Página 29
... elements are held together in a logical way , through the expansion in the introduction and the varia- tions , of the melodic thesis stated in essence in the first four measures . The element of surprise is intensified in the climax of ...
... elements are held together in a logical way , through the expansion in the introduction and the varia- tions , of the melodic thesis stated in essence in the first four measures . The element of surprise is intensified in the climax of ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana