An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 4
... element or elements of the unexpected in order that it may have a certain freshness and originality . The composition chosen for analysis is the first of a group to which Franck gave the simple title " Trois Chorals " . These three ...
... element or elements of the unexpected in order that it may have a certain freshness and originality . The composition chosen for analysis is the first of a group to which Franck gave the simple title " Trois Chorals " . These three ...
Página 8
... elements are closely integrated with the harmonic element . The first three measures end in the subdominant harmony , the second three measures end in the tonic , the third three measures close in the mediant . ( This is the first half ...
... elements are closely integrated with the harmonic element . The first three measures end in the subdominant harmony , the second three measures end in the tonic , the third three measures close in the mediant . ( This is the first half ...
Página 29
... elements are held together in a logical way , through the expansion in the introduction and the varia- tions , of the melodic thesis stated in essence in the first four measures . The element of surprise is intensified in the climax of ...
... elements are held together in a logical way , through the expansion in the introduction and the varia- tions , of the melodic thesis stated in essence in the first four measures . The element of surprise is intensified in the climax of ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana