An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 11
... diminution . At meas . 153 some use of period No. is made , changing the rhythm of 167 period No. J.F to • At meas . is touched upon and finally the coda- chorale No. is heard in an entirely new contrapuntal treatment . The second ...
... diminution . At meas . 153 some use of period No. is made , changing the rhythm of 167 period No. J.F to • At meas . is touched upon and finally the coda- chorale No. is heard in an entirely new contrapuntal treatment . The second ...
Página 17
... diminution , is the skip of a perfect fourth . Here motive ( X ) 1s preceded by three notes of an arpeggio and an alternating note in such a way that the melody thus derived from diminution is stressed rhythmically the same as it is in ...
... diminution , is the skip of a perfect fourth . Here motive ( X ) 1s preceded by three notes of an arpeggio and an alternating note in such a way that the melody thus derived from diminution is stressed rhythmically the same as it is in ...
Página 20
... diminution and enlargement . ( Enlargement is used not in the sense of augmentation , which has to do with rhythmic values , but more in the sense of growth of the idea , retaining the same rhythmic values . ) A surprise now comes in ...
... diminution and enlargement . ( Enlargement is used not in the sense of augmentation , which has to do with rhythmic values , but more in the sense of growth of the idea , retaining the same rhythmic values . ) A surprise now comes in ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana