An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 5
... : keys : major keys indicated by capital letters minor keys indicated by small letters meas .: measure or measures no .: var .: number variation ( X ) : germinating motive is the introduction which consists of seven short periods . 5.
... : keys : major keys indicated by capital letters minor keys indicated by small letters meas .: measure or measures no .: var .: number variation ( X ) : germinating motive is the introduction which consists of seven short periods . 5.
Página 7
... consists of two sequences and two pendants ending in V of E. icism . c Period No.I shows Franck's predilection for chromat- minor at meas . 40 being enharmonic with Db moves into Bb and B. The melody climbs by half steps meas . 40 to 43 ...
... consists of two sequences and two pendants ending in V of E. icism . c Period No.I shows Franck's predilection for chromat- minor at meas . 40 being enharmonic with Db moves into Bb and B. The melody climbs by half steps meas . 40 to 43 ...
Página 24
... consists of 64 meas . The first variation is 41 meas . long , followed by the 20 meas . interlude in four quarter rhythm , which in- troduces material to be used in the second variation . The second variation is outlined in 70 meas ...
... consists of 64 meas . The first variation is 41 meas . long , followed by the 20 meas . interlude in four quarter rhythm , which in- troduces material to be used in the second variation . The second variation is outlined in 70 meas ...
Términos y frases comunes
analysis appearance bass beat beginning Bourdon cadence characteristic chorale chord chromatic close coda coda-chorale coda-chorale period combination completes composer composition conclusion considered continual contrapuntal contributing tonalities derived descends diminution dominant double effect element enharmonically essential establishes fact fifths figure final Flûte four large four measures fourth Franck give harmonic idea includes indicated integrated interest interlude interval introduction lower major manuals material meas melodic melodic analysis minor modulation motive mystic nature notes observed octave organ Organ with Fonds original passacaglia pedal pedal point perhaps period period No.I phrases played progression proportions quarter religious rhythm rhythmic second half second variation seen sequences seventh sixth sonata song soprano starts stop style suspense Swell symmetry theme thesis third higher third variation three measures tonality tone tonic traits transposed treatment Vox Humana whole written