An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 4
Página 5
... considered as a type of the large variation form and this analysis will be attempted mainly from two approaches -- the harmonic and melodic-- together with such rhythmic proportions as may be found helpful in establishing a certain ...
... considered as a type of the large variation form and this analysis will be attempted mainly from two approaches -- the harmonic and melodic-- together with such rhythmic proportions as may be found helpful in establishing a certain ...
Página 16
... considered the answering period to period No.III , as period No.I was to period No. I. Period No. rises through two sequences and descends through two pendants . Period No. has , like period No.II , more the char- acter of an answering ...
... considered the answering period to period No.III , as period No.I was to period No. I. Period No. rises through two sequences and descends through two pendants . Period No. has , like period No.II , more the char- acter of an answering ...
Página 26
... considered as a whole . The first part ( the seven small periods forming an introduction ) introduces , to be sure , a very complex subject for sonata treatment . The first variation might be considered an exposition , the introduction ...
... considered as a whole . The first part ( the seven small periods forming an introduction ) introduces , to be sure , a very complex subject for sonata treatment . The first variation might be considered an exposition , the introduction ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana