An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 3
... composer uses . And so it is thought that it would be interesting and perhaps profitable to subject one of these " religious effusions " to a minute objective analysis , to measure the beams which support the arches , observe the ...
... composer uses . And so it is thought that it would be interesting and perhaps profitable to subject one of these " religious effusions " to a minute objective analysis , to measure the beams which support the arches , observe the ...
Página 25
... composer himself who was a religious mystic , intensely human and lovable , whose im- provisational traits could not help but reappear in his written works , especially in this particular composition , intended for religious use . As ...
... composer himself who was a religious mystic , intensely human and lovable , whose im- provisational traits could not help but reappear in his written works , especially in this particular composition , intended for religious use . As ...
Página 29
... composer has used has shown that the harmonic and melodic elements are held together in a logical way , through the expansion in the introduction and the varia- tions , of the melodic thesis stated in essence in the first four measures ...
... composer has used has shown that the harmonic and melodic elements are held together in a logical way , through the expansion in the introduction and the varia- tions , of the melodic thesis stated in essence in the first four measures ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana