An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 12
... coda - chorale.7 there is an enharmonic change leading to the third var . This harmonic digression or element of ... coda - chorale period No. in an inner part . The first two phrases of the coda - chorale are given out in bb ( meas ...
... coda - chorale.7 there is an enharmonic change leading to the third var . This harmonic digression or element of ... coda - chorale period No. in an inner part . The first two phrases of the coda - chorale are given out in bb ( meas ...
Página 14
... coda - chorale period No.VII B. Melodic Analysis 1. The six short periods of the introduction are really six short original hymn - tune - like melodies . But Franck , in his characteristic way , has interwoven these melodies and caused ...
... coda - chorale period No.VII B. Melodic Analysis 1. The six short periods of the introduction are really six short original hymn - tune - like melodies . But Franck , in his characteristic way , has interwoven these melodies and caused ...
Página 21
... coda - chorale ! In the last five measures ( X ) alone is used , further transformed by expansion of the interval of ... coda - chorale ( meas . 196 ) . It remains here to point out , in the final repetition of the coda- chorale ( meas ...
... coda - chorale ! In the last five measures ( X ) alone is used , further transformed by expansion of the interval of ... coda - chorale ( meas . 196 ) . It remains here to point out , in the final repetition of the coda- chorale ( meas ...
Términos y frases comunes
analysis appearance bass beat beginning Bourdon cadence characteristic chorale chord chromatic close coda coda-chorale coda-chorale period combination completes composer composition conclusion considered continual contrapuntal contributing tonalities derived descends diminution dominant double effect element enharmonically essential establishes fact fifths figure final Flûte four large four measures fourth Franck give harmonic idea includes indicated integrated interest interlude interval introduction lower major manuals material meas melodic melodic analysis minor modulation motive mystic nature notes observed octave organ Organ with Fonds original passacaglia pedal pedal point perhaps period period No.I phrases played progression proportions quarter religious rhythm rhythmic second half second variation seen sequences seventh sixth sonata song soprano starts stop style suspense Swell symmetry theme thesis third higher third variation three measures tonality tone tonic traits transposed treatment Vox Humana whole written