An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
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Página 8
... chord The fifth three meas- ures end in the submediant , and the sixth three measures close on the tonic . ( This is the second half . ) In review of the six phrase cadences in the coda- chorale , one may show an exact proportion ...
... chord The fifth three meas- ures end in the submediant , and the sixth three measures close on the tonic . ( This is the second half . ) In review of the six phrase cadences in the coda- chorale , one may show an exact proportion ...
Página 9
... chord in question could be spelled enharmonically with bass on F , a supertonic seventh with lowered root would result . This would then give the following proportions for the phrase endings of the coda - chorale : ( a ) ( b ) IV : ( a ) ...
... chord in question could be spelled enharmonically with bass on F , a supertonic seventh with lowered root would result . This would then give the following proportions for the phrase endings of the coda - chorale : ( a ) ( b ) IV : ( a ) ...
Página 10
... chord on Eb ( meas . 111 ) could be considered enharmonically D sharp which is the leading tone of E. The same chord lifted ( in meas . 120 ) to B insists on E , the tonic , so that this whole interlude is tonally active in E. The ...
... chord on Eb ( meas . 111 ) could be considered enharmonically D sharp which is the leading tone of E. The same chord lifted ( in meas . 120 ) to B insists on E , the tonic , so that this whole interlude is tonally active in E. The ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana