An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
Resultados 1-3 de 5
Página 6
... cadence at the end of four meas- ures . Then for four measures through I , V , II7 , VI , IV , 6+ and instead of a modulation to B an augmented on IV in E resolves to V in E , a half cadence . Period No. with descending chromatic ...
... cadence at the end of four meas- ures . Then for four measures through I , V , II7 , VI , IV , 6+ and instead of a modulation to B an augmented on IV in E resolves to V in E , a half cadence . Period No. with descending chromatic ...
Página 8
... cadences in the coda- chorale , one may show an exact proportion between the second and fifth , and between the third and the sixth phrases . The cadence at meas . 58 , the fourth cadence , how- ever , cannot with absolute clearness be ...
... cadences in the coda- chorale , one may show an exact proportion between the second and fifth , and between the third and the sixth phrases . The cadence at meas . 58 , the fourth cadence , how- ever , cannot with absolute clearness be ...
Página 9
... cadence the E # actually does become , enharmonically , F4 . If the chord in question could be spelled enharmonically with bass on F , a supertonic seventh with lowered root would result . This would then give the following proportions ...
... cadence the E # actually does become , enharmonically , F4 . If the chord in question could be spelled enharmonically with bass on F , a supertonic seventh with lowered root would result . This would then give the following proportions ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas Bourdon Bourdon cadence CÉSAR FRANCK'S Clairon coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution duction eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Franck Gambe Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis melody of period modulation Montre mystic nine measures number of measures octave Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measures end tonic traits transposed a third Trompette University of Wisconsin up-beat of meas variation form Vox Humana