An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
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Página 6
... beat of meas . 2 ) and back to G sharp ( second beat in meas . meas.4 ) , ( balancing point on A ) . This melodic thesis is in essence a clue to the harmonic structure which in detail is as follows : Periodas ( part of ) a well ...
... beat of meas . 2 ) and back to G sharp ( second beat in meas . meas.4 ) , ( balancing point on A ) . This melodic thesis is in essence a clue to the harmonic structure which in detail is as follows : Periodas ( part of ) a well ...
Página 16
... beat , the cadence falling on the first beat with the bass or by retardation on the second beat . Melodically the diatonic scale , with suggestions of the Phrygian mode ( meas . 51 ) , is used and the line is made up of half , quarter ...
... beat , the cadence falling on the first beat with the bass or by retardation on the second beat . Melodically the diatonic scale , with suggestions of the Phrygian mode ( meas . 51 ) , is used and the line is made up of half , quarter ...
Página 17
... beats ) of ( b ) is like the first part ( 4 beats ) of ( a ) , all of ( e ) is like all of ( a ) transposed a third lower , and all of ( f ) is like all of ( c ) transposed a third lower . In other words , the consequent is not only ...
... beats ) of ( b ) is like the first part ( 4 beats ) of ( a ) , all of ( e ) is like all of ( a ) transposed a third lower , and all of ( f ) is like all of ( c ) transposed a third lower . In other words , the consequent is not only ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana