An Analytical Study Based on the Essential Harmonic and Melodic Elements as Found in Cesar Franck's E Major Chorale for OrganUniversity of Wisconsin--Madison, 1939 |
Dentro del libro
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Max Garver Miranda. I. Introduction Table of Contents Page 1 II . Analyses A. Harmonic Analysis Page 5 1 . The Seven Small Periods 2 . The First Variation 3 . The Second Variation 4 . The Third Variation B. Melodic Analysis 1. The Seven ...
Max Garver Miranda. I. Introduction Table of Contents Page 1 II . Analyses A. Harmonic Analysis Page 5 1 . The Seven Small Periods 2 . The First Variation 3 . The Second Variation 4 . The Third Variation B. Melodic Analysis 1. The Seven ...
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... analysis of the material itself which the composer uses . And so it is thought that it would be interesting and perhaps profitable to subject one of these " religious effusions " to a minute objective analysis , to measure the beams ...
... analysis of the material itself which the composer uses . And so it is thought that it would be interesting and perhaps profitable to subject one of these " religious effusions " to a minute objective analysis , to measure the beams ...
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... analysis is the first of a group to which Franck gave the simple title " Trois Chorals " . These three organ compositions were his last works and might therefore represent his most mature thought and style of writing . It is sufficient ...
... analysis is the first of a group to which Franck gave the simple title " Trois Chorals " . These three organ compositions were his last works and might therefore represent his most mature thought and style of writing . It is sufficient ...
Términos y frases comunes
18 meas 20 meas 64 meas answering period arpeggio bass melody beginning at meas cadence Cesar Franck chromatic side steppings Clairon 41 coda coda-chorale period composition contrapuntal contributing tonalities d'Indy derived diatonic scale diminution eighth notes element of surprise enharmonically essential fifths figurated pedal point Fonds et Hautbois four large divisions four meas four measures four quarter rhythm Harmonic Analysis harmonic and melodic integrated interlude introduction long pedal point material mediant melodic analysis melodic line melodic thesis modulation Montre mystic nine measures No.VII number of measures octave Organ in France Organ with Fonds passacaglia bass period No.I played retrograde inversion rondo form Sainte Clothilde second half second variation Seven Small Periods sonata form song form soprano melody style Swell Organ third beat third higher third lower third variation three measure phrases three measures end tonic traits transposed a third Trompette 81 University of Wisconsin variation form Vox Humana