Avant-Gardes and Partisans ReviewedManchester University Press, 1996 - 362 páginas The authors of this text, Orton and Pollock, are considered exponents of the social history of art. Their approach to the study of art began in 1978 with the publication of their analysis of popular artists such as Van Gogh which denied the simplistic interpretations of the popular art world of such "Masters" of art. Over the past 20 years they have continued to re-appraise and re-invent art historical analyses, focusing on the formation of European modernism in the 19th century and the later American appropriation of its legacy during the 20th century. This book combines new work on critical and theoretical issues of agency and the problems of autobiography and monographic studies in art history, with the authors' earlier articles, complete with reappraisals of this earlier work. By addressing key issues in visual culture and the politics of representation, this book provides both a useful reference and an analysis of the work of these authors during this tumultuous period in art history. |
Índice
PART | 3 |
La Berceuse January 1889 Oil on canvas 93 74 cm 36 29 | 19 |
Stilllife with Open Bible October 1885 Oil on canvas 65 78 cm | 25 |
Outskirts of Paris near Montmartre Summer 1887 Watercolour on paper | 39 |
Old Vineyard with Peasant Woman May 1890 Pencil and wash on paper | 43 |
La Prairie de Représentation | 53 |
Georges Seurat A Sunday Afternoon on the Isle de la Grande Jatte 18846 | 72 |
Reactions to Renoir Keep Changing | 89 |
But Take the Monet and Run | 125 |
PART | 134 |
AvantGardes and Partisans Reviewed | 141 |
Jackson Pollock Painting and the Myth of Photography | 165 |
Action Revolution and Painting | 177 |
The Idea of the Cold War | 205 |
PART THREE | 295 |
Studies in Authorship | 315 |
Liverpool University Press and Tate Gallery 1993 17992 | 92 |
Nationalism and Modernism | 103 |
Cloisonism? | 115 |
Otras ediciones - Ver todo
Avant-Gardes and Partisans Reviewed Fred Orton,Griselda Pollock No hay ninguna vista previa disponible - 1996 |
Términos y frases comunes
Abstract Expressionism Action Painters aesthetic American Action Painters argued art history avant-garde Avant-Garde and Kitsch become Bernard bourgeois Brettell Brittany canvas capitalism Clement Greenberg colour contemporary critical culture discourse Dutch effect essay exhibition expression feminine feminist film France Frankenthaler Gallery Gauguin Gogh's Greenberg Hans Namuth Harold Rosenberg Helen Frankenthaler historians history of art Ibid idea identity ideological Impressionism Impressionists intellectual Jackson Pollock kind Kitsch landscape Lee Krasner Letter literature London Marilyn Monroe Marxist meaning Modern Art modernist Monet movement Museum of Modern Namuth's photographs negation nineteenth century Paris Partisan Review peasants picture Pissarro political Pont Aven Post-Impressionism produced proletariat published recognised reference relations Renoir representation represented revolution revolutionary sexual difference signified social history society space specific structures struggle subject matter surface symbolic tradition Trotsky vanguard Vincent van Gogh Wollheim woman writing York

