Avant-Gardes and Partisans Reviewed

Portada
Manchester University Press, 1996 - 362 páginas
The authors of this text, Orton and Pollock, are considered exponents of the social history of art. Their approach to the study of art began in 1978 with the publication of their analysis of popular artists such as Van Gogh which denied the simplistic interpretations of the popular art world of such "Masters" of art. Over the past 20 years they have continued to re-appraise and re-invent art historical analyses, focusing on the formation of European modernism in the 19th century and the later American appropriation of its legacy during the 20th century. This book combines new work on critical and theoretical issues of agency and the problems of autobiography and monographic studies in art history, with the authors' earlier articles, complete with reappraisals of this earlier work. By addressing key issues in visual culture and the politics of representation, this book provides both a useful reference and an analysis of the work of these authors during this tumultuous period in art history.
 

Índice

PART
3
La Berceuse January 1889 Oil on canvas 93 74 cm 36 29
19
Stilllife with Open Bible October 1885 Oil on canvas 65 78 cm
25
Outskirts of Paris near Montmartre Summer 1887 Watercolour on paper
39
Old Vineyard with Peasant Woman May 1890 Pencil and wash on paper
43
La Prairie de Représentation
53
Georges Seurat A Sunday Afternoon on the Isle de la Grande Jatte 18846
72
Reactions to Renoir Keep Changing
89
But Take the Monet and Run
125
PART
134
AvantGardes and Partisans Reviewed
141
Jackson Pollock Painting and the Myth of Photography
165
Action Revolution and Painting
177
The Idea of the Cold War
205
PART THREE
295
Studies in Authorship
315

Liverpool University Press and Tate Gallery 1993 17992
92
Nationalism and Modernism
103
Cloisonism?
115

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