The Cambridge Companion to SchumannBeate Perrey Cambridge University Press, 28 jun 2007 This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period. |
Índice
Sección 15 | 123 |
Sección 16 | 136 |
Sección 17 | 140 |
Sección 18 | 141 |
Sección 19 | 148 |
Sección 20 | 161 |
Sección 21 | 162 |
Sección 22 | 168 |
Sección 9 | 65 |
Sección 10 | 75 |
Sección 11 | 86 |
Sección 12 | 102 |
Sección 13 | 116 |
Sección 14 | 117 |
Sección 23 | 169 |
Sección 24 | 173 |
Sección 25 | 195 |
Sección 26 | 223 |
Sección 27 | 252 |
Sección 28 | 268 |
Otras ediciones - Ver todo
Términos y frases comunes
aesthetic Allegro artistic Bach bars Beethoven Brahms Brahms’s Breitkopf & H¨artel Carnaval cello Charles Rosen choral chords Clara Schumann coda comp composer composer’s compositions critical cycle D¨usseldorf Daverio Dichterliebe dramatic Eduard Hanslick Eismann Endenich essay Example exposition F major Fantasy Faust figure final finale finally find first movement Franz Schubert G minor Genoveva genre Gerd Nauhaus German Gesammelte Schriften Ibid influence Jean Paul Joachim Johannes Brahms John Daverio Kreisleriana late music Leipzig letter Liszt lyrical Manfred melody Mendelssohn motive Neue Zeitschrift f¨ur Nineteenth Century Music Nineteenth-Century NZfM opera oratorio orchestra overture Paganini performance Peri Piano Concerto Pianoforte pieces played poetic publ quartets recapitulation reception reflection Robert Schumann Roland Barthes Romantic Scherzo Schubert Schumann’s late Schumann’s music sharp minor significant solo sonata form song specific Symphony thematic theme tonal tonic trans Trio Variations Violin Concerto voice Wagner Wasielewski Wieck writing Zeitschrift f¨ur Musik