The Cambridge Companion to Schumann

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Beate Perrey
Cambridge University Press, 28 jun 2007
This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.
 

Índice

Sección 1
9
Sección 2
15
Sección 3
17
Sección 4
20
Sección 5
29
Sección 6
32
Sección 7
38
Sección 8
48
Sección 15
123
Sección 16
136
Sección 17
140
Sección 18
141
Sección 19
148
Sección 20
161
Sección 21
162
Sección 22
168

Sección 9
65
Sección 10
75
Sección 11
86
Sección 12
102
Sección 13
116
Sección 14
117
Sección 23
169
Sección 24
173
Sección 25
195
Sección 26
223
Sección 27
252
Sección 28
268

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Sobre el autor (2007)

Beate Perrey is currently Senior Lecturer in Critical Musicology and Analysis at the University of Liverpool, and was previously Visiting Professor at the Ecole Normale Superieure in Paris and Research Fellow at Trinity and Christ's College, Cambridge. Together with Gillian Beer and Malcolm Bowie, she co-directs the long-term research project New Languages for Criticism: Cross-currents and Resistances at the Centre for Research in the Arts, Social Sciences and Humanities of the University of Cambridge. She is the author of Schumann's 'Dichterliebe' and Early Romantic Poetics: Fragmentation of Desire (Cambridge, 2002), and writes about nineteenth and twentieth century music and its interfaces with different forms of cultural expression, and the verbal and visual arts.

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