Imágenes de página
PDF
ePub

other apartment, the bedchamber. Through this they could see the workmen laying MacEvoy on the bed, and standing awkwardly about thereafter, getting in the way of the wife and old Maggie Quirk as they strove to remove the garments from his crushed limbs. As the neighbors watched what could be seen of these proceedings, they whispered among themselves eulogies of the injured man's industry and good temper, his habit of bringing his money home to his wife, and the way he kept his Father Mathew pledge and attended to his religious duties. They admitted freely that by the light of his example, their own husbands and sons left much to be desired; and from this wandered easily off into domestic digressions of their own. But all the while their eyes were bent upon the bedroom door; and Theron made out, after he had grown accustomed to the gloom and the smell, that many of them were telling their beads even while they kept the muttered conversation alive. None of them paid any attention to him, or seemed to regard his presence there as unusual.

Presently he saw enter through the sunlit street doorway a person of a different class. The bright light shone for a passing instant upon a fashionable, flowered hat, and upon some remarkably brilliant shade of red hair beneath it. In another moment there had edged along through the throng, to almost within touch of him, a tall young woman, the owner of this hat and wonderful hair. She was clad in light and pleasing spring attire, and carried a parasol with a long oxidized silver handle of a quaint pattern. She looked at him, and he saw that her face was of a lengthened oval, with a luminous rose-tinted skin, full red lips, and big brown, frank eyes with heavy auburn lashes. She made a grave little inclination of her head toward him, and he bowed. in response. Since her arrival, he noted, the chattering of the others had entirely ceased.

"I followed the others in, in the hope that I might be of some assistance," he ventured to explain to her in a low murmur, feeling that at last here was some one to whom an explanation of his presence in this Romish house was due. "I hope they won't feel that I have intruded."

She nodded her head as if she quite understood.

They'll take the will for the deed," she whispered back. "Father Forbes will be here in a minute. Do you know, is it too late?"

Even as she spoke, the outer doorway was darkened by the commanding bulk of a new-comer's figure. The flash of a silk hat, and the deferential way in which the assembled neighbors fell back to clear a passage, made his identity clear. Theron felt his blood tingle in an unaccustomed way as this priest of a strange Church advanced across the room,- a broad-shouldered, portly man of more than middle height, with a shapely, stronglined face of almost waxen pallor, and a firm, commanding tread. He carried in his hands, besides his hat, a small leather-bound case. To this and to him the women curtsied and bowed their heads as he passed.

[ocr errors]

"Come with me," whispered the tall girl with the parasol, to Theron; and he found himself pushing along in her wake until they intercepted the priest just outside the bedroom door. She touched Father Forbes on the arm.

"Just to tell you that am here," she said. The priest nodded with a grave face, and passed into the other room. In a minute or two the workmen, Mrs. MacEvoy, and her helper came out, and the door was shut behind them.

"He is making his confession," explained the young lady. "Stay here for a minute."

She moved over to where the woman of the house stood, glum-faced and tearless, and whispered something to her. A confused movement among the crowd followed, and out of it presently resulted a small table, covered with a white cloth, and bearing on it two unlighted candles, a basin of water, and a spoon, which was brought forward and placed in readiness before the closed door. Some of those nearest this cleared space were kneeling now, and murmuring a low buzz of prayer to the click of beads on their rosaries.

The door opened, and Theron saw the priest standing in the doorway with an uplifted hand. He wore now a surplice, with a purple band over his shoulders, and on his pale face there shone a tranquil and tender light.

One of the workmen fetched from the stove a brand, lighted the two candles, and bore the table with its contents into the bedroom. The young woman plucked Theron's sleeve, and he dumbly followed her into the chamber of death, making one of the group of a dozen, headed by Mrs. MacEvoy and her children, which filled the little room, and overflowed now outward to the street door. He found himself bowing with the others to receive

the sprinkled holy water from the priest's white fingers; kneeling with the others for the prayers; following in impressed silence with the others the strange ceremonial by which the priest traced crosses of holy oil with his thumb upon the eyes, ears, nostrils, lips, hands, and feet of the dying man, wiping off the oil with a piece of cotton-batting each time after he had repeated the invocation to forgiveness for that particular sense. But most of all he was moved by the rich, novel sound of the Latin as the priest rolled it forth in the Asperges me, Domine,' and 'Misereatur vestri omnipotens Deus,' with its soft Continental vowels and liquid r's. It seemed to him that he had never really heard Latin before. Then the astonishing young woman with the red hair declaimed the 'Confiteor' vigorously and with a resonant distinctness of enunciation. It was a different Latin, harsher and more sonorous; and while it still dominated the murmured undertone of the other's prayers the last moment came.

Theron had stood face to face with death at many other bedsides; no other final scene had stirred him like this. It must have been the girl's Latin chant, with its clanging reiteration of the great names,-beatum Michaelem Archangelum,' 'beatum Joannem Baptistam,' 'sanctos Apostolos Petrum et Paulum,’— invoked with such proud confidence in this squalid little shanty, which so strangely affected him.

He came out with the others at last,- the candles and the folded hands over the crucifix left behind,- and walked as one in a dream. Even by the time that he had gained the outer doorway, and stood blinking at the bright light and filling his lungs with honest air once more, it had begun to seem incredible to him that he had seen and done all this.

5977

EDWARD AUGUSTUS FREEMAN

(1823-1892)

BY JOHN BACH MCMASTER

DWARD AUGUSTUS FREEMAN, one of the most prolific of recent English historians, was born at Harborne in Staffordshire, England, on August 2d, 1823. His early education was received at home and in private schools, from which at the age of eighteen he went up to Oxford, where he was elected a scholar of Trinity College. Four years later (1845) he took his degree and was elected a Fellow of Trinity, an honor which he held till his marriage in 1847 forced him to relinquish it.

Long before this event, Freeman was deep in historical study. His fortune was easy. The injunction that he should eat bread in the sweat of his face had not been laid on him. His time was his own, and was devoted with characteristic zeal and energy to labor in the field of history, which in the course of fifty years was made to yield him a goodly crop.

[graphic]

EDWARD A. FREEMAN

Year after year he poured forth a steady stream of Essays, Thoughts, Remarks, Suggestions, Lectures, Short Histories on matters of current interest, little monographs on great events or great men, -all covering a range of subjects which bear evidence to most astonishing versatility and learning. Sometimes his topic was a cathedral church, as that of Wells or Leominster Priory; or a cathedral city, as Ely or Norwich. At others it was a grave historical theme, as the Unity of History'; or Comparative Politics'; or the 'Growth of the English Constitution from the Earliest Times'; or Old English History for Children.' His 'General Sketch of European History' is still a standard text book in our high schools and colleges. His 'William the Conqueror in Macmillan's Twelve English Statesmen'; his Short History of the Norman Conquest of England' in the Clarendon Press Series; his studies of Godwin, Harold, and the Normans, in the 'Encyclopædia Britannica,' are the best of their kind.

His contributions to the reviews and magazines make a small library, encyclopædic in character. Thirty-one essays were published in the Fortnightly Review; thirty in the Contemporary Review; twenty-seven in Macmillan's Magazine; twelve in the British Quarterly, and as many more in the National Review; while such as are scattered through the other periodicals of Great Britain and the United States swell the list to one hundred and fifty-seven titles. Every conceivable subject is treated,- politics, government, history, field sports, architecture, archæology, books, linguistics, finance, great men living and dead, questions of the day. But even this list does not comprise all of Freeman's writings, for regularly every week, for more than twenty years, he contributed two long articles to the Saturday Review.

Taken as a whole, this array of publications represents an industry which was simply enormous, and a learning as varied as it was immense. If classified according to their subjects, they fall naturally into six groups. The antiquarian and architectural sketches and addresses are the least valuable and instructive. They are of interest because they exhibit a strong bent of mind which appears constantly in Freeman's works, and because it was by the aid of such remains that he studied the early history of nations. Then come the studies in politics and government, such as the essays on presidential government; on American institutional history; on the House of Lords; the growth of commonwealths, and such elaborate treatises as the six lectures on 'Comparative Politics,' and the History of Federal Government,' all notable because of the liberal spirit and breadth of view that mark them, and because of a positiveness of statement and confidence in the correctness of the author's judgments. Then come the historical essays; then the lectures and addresses; then his occasional pieces, written at the request of publishers or editors to fill some long-felt want; and finally the series of histories on which, in the long run, the reputation of Freeman must rest. These, in the order of merit and value, are the 'Norman Conquest'; the 'Reign of William Rufus,' which is really a supplement to the 'Conquest'; the "History of Sicily,' which the author did not live to finish.

The roll of his works is enough to show that the kind of history which appealed to Freeman was that of the distant past, and that which dealt with politics rather than with social life. Of ancient history he had a good mastery; English history from its dawn to the thirteenth century he knew minutely; European history of the same period he knew profoundly. After the thirteenth century his interest grew less and less as modern times were approached, and his knowledge smaller and smaller till it became that of a man very well read in history and no more.

« AnteriorContinuar »