Emotion and Meaning in MusicUniversity of Chicago Press, 1 jun 2008 - 315 páginas "Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review |
Dentro del libro
Resultados 1-5 de 85
Página vii
... processes by which they are communicated an important focus of interest for ... musical meaning and its communication is of particular interest for several ... musical world of objects , concepts , and human desires . Thus the meanings ...
... processes by which they are communicated an important focus of interest for ... musical meaning and its communication is of particular interest for several ... musical world of objects , concepts , and human desires . Thus the meanings ...
Página viii
... processes by which they are communicated must be made . Thus although it is ... musical stimuli are signs or symbols . The relationship between music and ... musical processes rather than to establish a general aesthetic system . On the ...
... processes by which they are communicated must be made . Thus although it is ... musical stimuli are signs or symbols . The relationship between music and ... musical processes rather than to establish a general aesthetic system . On the ...
Página x
... music rather than , for instance , from a study of aesthetics or psy- chology . Other fields often furnished exciting and ... musical processes . Fields outside music have also served to refine concepts or have led to more general ...
... music rather than , for instance , from a study of aesthetics or psy- chology . Other fields often furnished exciting and ... musical processes . Fields outside music have also served to refine concepts or have led to more general ...
Página xi
... VII . THE EVIDENCE : SIMULTANEOUS AND SUCCESSIVE DEVIATION 233 VIII . NOTE ON IMAGE PROCESSES , CONNOTATIONS , AND MOODS . 256 NOTES 273 INDEX 295 I Theory Past Positions as to the Nature of Musical xi Table of Contents.
... VII . THE EVIDENCE : SIMULTANEOUS AND SUCCESSIVE DEVIATION 233 VIII . NOTE ON IMAGE PROCESSES , CONNOTATIONS , AND MOODS . 256 NOTES 273 INDEX 295 I Theory Past Positions as to the Nature of Musical xi Table of Contents.
Página 1
... musical meaning and by what processes it is communicated has been the subject of numerous and often heated debates . The first main difference of opinion exists between those who insist that musical meaning lies exclusively within the ...
... musical meaning and by what processes it is communicated has been the subject of numerous and often heated debates . The first main difference of opinion exists between those who insist that musical meaning lies exclusively within the ...
Índice
1 | |
II Expectation and Learning | 43 |
The Law of Good Continuation | 83 |
Completion and Closure | 128 |
The Weakening of Shape | 157 |
Deviation in Performance and Tonal Organization | 197 |
Simultaneous and Successive Deviation | 233 |
VIII Note on Image Processes Connotations and Moods | 256 |
Notes | 273 |
Index | 295 |
Términos y frases comunes
A-flat A. M. Jones accented aesthetic experience affective aesthetic affective experience ambiguous amphibrach anacrusis anapest architectonic level arise arouse articulation aspects basic beat become behavior C. P. E. Bach changes chord chromatic chromaticism complete composer concepts connotation consonance and dissonance context continuation create culture Curt Sachs delay deviation diatonic differentiation discussed embellishment emotional established example expectations fact feeling folk music Gestalt give rise harmonic Ibid important incomplete inhibited instance involves jazz law of return listener listener's meaning measure melodic mental meter metric levels mind minor mode mood motion motor musical experience musical processes musical stimuli norms notes organization ornamentation particular passage pattern perception performer phrase pitch play present probability progression psychological rāgas relationships repetition rhythm rhythmic sense sequence shape sonata sound term stimulus situation structural gaps style system stylistic tend tendency tension texture theme theory tion tonal tones tonic triad trochaic uniformity Western music