Emotion and Meaning in MusicUniversity of Chicago Press, 1 jun 2008 - 315 páginas "Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review |
Dentro del libro
Resultados 1-5 de 89
Página vii
... meaning: the variety of meanings, their significance and epistemological status, their interrelationships, and manner of communication. Other fields, such as economics, political science, various branches of the humanities, and even the ...
... meaning: the variety of meanings, their significance and epistemological status, their interrelationships, and manner of communication. Other fields, such as economics, political science, various branches of the humanities, and even the ...
Página viii
... meaning and other modes of communication can be considered, a detailed examination of the meanings of music and the processes by which they are communicated must be made. Thus although it is ... meanings communicated. Meaning um 000 Preface.
... meaning and other modes of communication can be considered, a detailed examination of the meanings of music and the processes by which they are communicated must be made. Thus although it is ... meanings communicated. Meaning um 000 Preface.
Página ix
Leonard B. Meyer. communication is obviously an account of the meanings communicated. Meaning and communication cannot be separated from the cultural context in which they arise. Apart from the social situation there can be neither meaning ...
Leonard B. Meyer. communication is obviously an account of the meanings communicated. Meaning and communication cannot be separated from the cultural context in which they arise. Apart from the social situation there can be neither meaning ...
Página 1
... meaning and that this meaning is somehow communicated to botl1 participants and listeners. This much, at least, we may take for granted. But what constitutes musical meaning and by what processes it is communicated has been the subject ...
... meaning and that this meaning is somehow communicated to botl1 participants and listeners. This much, at least, we may take for granted. But what constitutes musical meaning and by what processes it is communicated has been the subject ...
Índice
1 | |
II Expectation and Learning | 43 |
The Law of Good Continuation | 83 |
Completion and Closure | 128 |
The Weakening of Shape | 157 |
Deviation in Performance and Tonal Organization | 197 |
Simultaneous and Successive Deviation | 233 |
VIII Note on Image Processes Connotations and Moods | 256 |
Notes | 273 |
Index | 295 |
Términos y frases comunes
accented aesthetic experience affective aesthetic affective experience ambiguous amphibrach anacrusis anapest arise arouse articulation basic beat become Beethoven behavior C. P. E. Bach changes chord chromatic chromaticism complete composer connotation consonance and dissonance context continuation create culture Curt Sachs definite delay deviation diatonic differentiation discussed embellishment emotional example expectations fact feeling field fifth figure final find first fixed folk music Gestalt give rise harmonic iamb important incomplete influence instance involves law of return listener listener’s meaning measure melodic melodic motion mental meter metric levels mind minor mode mood motion motor musical experience musical processes norms notes organization ornamentation particular passage pattern perception performer phrase pitch play probability progression psychological relationships repetition response rhythm rhythmic sense sequence shape significance sonata sound term specific stimulus situation structural gaps style system stylistic tend tendency tension texture theme theory tion tonal tones tonic triad trochaic uniformity Western music