Emotion and Meaning in MusicUniversity of Chicago Press, 1 jun 2008 - 315 páginas "Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review |
Dentro del libro
Resultados 1-5 de 29
Página 16
... final result is not in conflict with other aspects of the stimulus situation or other mental sets. Furthermore, it should be noted that uncertainty and lack of clarity may be products not only of conflicting tendencies but also of a ...
... final result is not in conflict with other aspects of the stimulus situation or other mental sets. Furthermore, it should be noted that uncertainty and lack of clarity may be products not only of conflicting tendencies but also of a ...
Página 22
... final analysis, learned. This is important as it takes most of the sting out of the criticism that music which attempts to designate emotional states depends for its effect upon the learning of conventional signs and symbols. For this ...
... final analysis, learned. This is important as it takes most of the sting out of the criticism that music which attempts to designate emotional states depends for its effect upon the learning of conventional signs and symbols. For this ...
Página 24
... final completion is inhibited. Such conscious and self-conscious tendencies are often thought of and referred to as “expectations.” In a broader sense all tendencies, even those which never. 24. Emotion. and. Meaning. in. Music.
... final completion is inhibited. Such conscious and self-conscious tendencies are often thought of and referred to as “expectations.” In a broader sense all tendencies, even those which never. 24. Emotion. and. Meaning. in. Music.
Página 49
Ha alcanzado el límite de visualización de este libro.
Ha alcanzado el límite de visualización de este libro.
Página 50
Ha alcanzado el límite de visualización de este libro.
Ha alcanzado el límite de visualización de este libro.
Índice
1 | |
II Expectation and Learning | 43 |
The Law of Good Continuation | 83 |
Completion and Closure | 128 |
The Weakening of Shape | 157 |
Deviation in Performance and Tonal Organization | 197 |
Simultaneous and Successive Deviation | 233 |
VIII Note on Image Processes Connotations and Moods | 256 |
Notes | 273 |
Index | 295 |
Términos y frases comunes
accented aesthetic experience affective aesthetic affective experience ambiguous amphibrach anacrusis anapest arise arouse articulation basic beat become Beethoven behavior C. P. E. Bach changes chord chromatic chromaticism complete composer connotation consonance and dissonance context continuation create culture Curt Sachs definite delay deviation diatonic differentiation discussed embellishment emotional example expectations fact feeling field fifth figure final find first fixed folk music Gestalt give rise harmonic iamb important incomplete influence instance involves law of return listener listener’s meaning measure melodic melodic motion mental meter metric levels mind minor mode mood motion motor musical experience musical processes norms notes organization ornamentation particular passage pattern perception performer phrase pitch play probability progression psychological relationships repetition response rhythm rhythmic sense sequence shape significance sonata sound term specific stimulus situation structural gaps style system stylistic tend tendency tension texture theme theory tion tonal tones tonic triad trochaic uniformity Western music