Melodrama and Modernity: Early Sensational Cinema and Its Contexts

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Columbia University Press, 5 feb 2001 - 256 páginas

Looking back to the sensational or "blood and thunder" melodramas (e.g., The Perils of Pauline, The Hazards of Helen, etc.), Singer uncovers a fundamentally modern cultural expression, one reflecting transformations in the sensory environment of the metropolis, in the experience of capitalism, in the popular imagination of gender, and in the exploitation of the thrill in popular amusement.

 

Índice

Meanings of Modernity
17
Meanings of Melodrama
37
Sensationalism and the World of Urban Modernity
59
Making Sense of the Modernity Thesis
101
Melodrama and the Consequences of Capitalism
131
Boom and Bust
149
Early Film Melodrama
189
Power and Peril in the SerialQueen Melodrama
221
Serials and Intertextuality
263
Conclusion
289
Bibliography
331
Index of Names and Subjects
357
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Sobre el autor (2001)

Edward D. berkowitz is professor of history and public policy and public administration at George Washington University. He is the author of eight books and the editor of three collections. During the seventies he served as a staff member of the President's Commission for a National Agenda, helping President Carter plan for a second term that never came to be.

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