The Idler in Italy, New SeriesBaudry's European Library, 1841 - 195 páginas |
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Página 67
... Venetian maid and matron to loiter before them in longing admiration , while groups of people , dressed in the garbs of their different countries , from the turbaned Turk and quick - eyed Greek down to the staid and soberly- attired ...
... Venetian maid and matron to loiter before them in longing admiration , while groups of people , dressed in the garbs of their different countries , from the turbaned Turk and quick - eyed Greek down to the staid and soberly- attired ...
Página 68
... Venetian art productions demonstrative of the chaste elegance of the Greek chisel are contrasted by some gaudy specimen of Byzantine taste . The thirty years ' labour of Sansovino , the gate on which is perpetuated , in bronze , the ...
... Venetian art productions demonstrative of the chaste elegance of the Greek chisel are contrasted by some gaudy specimen of Byzantine taste . The thirty years ' labour of Sansovino , the gate on which is perpetuated , in bronze , the ...
Página 72
... Venetian grandeur with the representations of many of the events of its history . Even allegory is made to administer to the patriotic desire of these great painters to honour Venice ; for in all of the allegorical pictures this City of ...
... Venetian grandeur with the representations of many of the events of its history . Even allegory is made to administer to the patriotic desire of these great painters to honour Venice ; for in all of the allegorical pictures this City of ...
Página 73
... Venetian school of less note , is matchless in point of execution , though the sub- jects bear no analogy to the hall for which they were designed . How many dooms have been sealed in this room , and how many survivors of the condemned ...
... Venetian school of less note , is matchless in point of execution , though the sub- jects bear no analogy to the hall for which they were designed . How many dooms have been sealed in this room , and how many survivors of the condemned ...
Página 74
Marguerite Countess of Blessington. picture , and the Proserpina looks so beautiful in the Venetian costume in which Paolo has attired her , that the anachronism is pardoned . Always an admirer of the Venetian school of painting , my ...
Marguerite Countess of Blessington. picture , and the Proserpina looks so beautiful in the Venetian costume in which Paolo has attired her , that the anachronism is pardoned . Always an admirer of the Venetian school of painting , my ...
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Términos y frases comunes
admiration Arabella Ariosto attachment beautiful behold bestowed Bianca Bianca Capello brilliant Byron Cardinal celebrated charms church cicerone Contessa Guiccioli Dante daughter dear death decorated Delafield Doge dwelling effect Emily Enrico Dandolo evinced excited eyes father fearful feelings felt Florence Francesco Foscari genius Grand Duke happiness heart honour husband imagine indulge interest Italian Italy jewels Lady Delafield Lady Elmscourt Lady Mary less looked Lord Lord Byron Louisa Lyster marble marriage melancholy memory ment mind never noble object offered Orlando Furioso ornaments Padua palace Palladio Paolo Veronese passed passion peculiar person Petrarch picture pleasure poet poor possession proof Ravenna remarkable remember reminded rendered rich scene seemed seen Signora smile Tasso taste Teresina thought Tintoretto tion Titian to-day tomb vanity Venetian Venetian school Venice Vernon Verona Vicenza wife wished woman youth
Pasajes populares
Página 66 - In Venice Tasso's echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone — but Beauty still is here. States fall, arts fade — but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!
Página 117 - In veder che ora innonorato resti ! Prezioso diaspro, agata, ed oro Foran debito fregio e appena degno Di rivestir si nobile tesoro. Ma no ; tomba fregiar d' uom eh' ebbe regno Vuoisi, e por gemme ove disdice alloro : Qui basta il nome di quel Divo Ingegno.
Página 94 - No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never!
Página 65 - I STOOD in Venice on the Bridge of Sighs, A palace and a prison on each hand ; I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles...
Página 123 - It is my soul that calls upon my name : How silver sweet sound lovers' tongues by night, Like softest music to attending ears!
Página 40 - NEGLI anni acerbi tuoi purpurea rosa sembravi tu, ch' ai rai tepidi, a 1' óra non apre '1 sen, ma nel suo verde ancora verginella s' asconde e vergognosa ; o più tosto parei, chè mortal cosa non s' assomiglia a te, celeste aurora, che le campagne imperla ei monti indora, lucida in ciel sereno e rugiadosa. Or la men verde età nulla a te toglie ; nè te, benchè negletta, in manto adorno giovinetta beltà vince o pareggia.
Página 65 - Rising with her tiara of proud towers At airy distance, with majestic motion, A ruler of the waters and their powers. And such she was; her daughters had their dowers From spoils of nations, and the exhaustless East Poured in her lap all gems in sparkling showers.